Music Performance

• Autorzy: William Forde Thompson , Simone Dalla Bella , Peter E. Keller
• Wydawca: Wyższa Szkoła Finansów i Zarządzania w Warszawie
• Czasopismo: Advances in Cognitive Psychology
• Rocznik: 2006
• Tom: 2
• Numer: 2-3
• Strony: 99-102

Twórcy

autor

William Forde Thompson

• University of Toronto at Mississauga, Toronto, Canada

autor

Simone Dalla Bella

• Department of Cognitive Psychology, University of Finance and Management, Warsaw, Poland

autor

Peter E. Keller

• Department of Psychology, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, Germany

Bibliografia

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• Friberg, A., Bresin, R., & Sundberg, J. (2006). Overview of the KTH rule system for musical performance.Advances in Cognitive Psychology, 2, 145-161.A C P
• Gabrielsson, A. (1999). The performance of music. In D. Deutsch (Ed.),The Psychology of Music(2nd ed., pp. 501-602). San Diego: Academic Press.
• Hébert, S., & Cuddy, L. L. (2006). Music-reading deficiencies and the brain.Advances in Cognitive Psychology, 2, 199-206.A C P
• Hommel, B., Müsseler, J., Aschersleben, G., & Prinz, W. (2001). The theory of event coding (TEC): A framework for perception and action.Behavioral & Brain Sciences, 24, 849-937.
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• Jabusch, H.-C., & Altenmüller, E. (2006). Focal Dystonia in musicians: From phenomenology to therapy.Advances in Cognitive Psychology, 2, 207-221.A C P
• Kenny, D. T., Davis, P. J., & Oates, J. (2004). Music performance anxiety and occupational stress amongst opera chorus artists and their relationship with state and trait anxiety and perfectionism.Journal of Anxiety Disorders, 18, 757-777.
• Kenny, D. T., & Osborne, M. S. (2006). Music performance anxiety: New insights from young musicians.Advances in Cognitive Psychology, 2, 103-112.A C P
• Lashley K. (1951). The problem of serial order in behavior. In L.A. Jeffress (Ed.),Cerebral Mechanisms in Behavior: The Hixon Symposium(pp. 112-36). New York: Wiley.
• Osborne, M. S., & Kenny, D. T. (2005). Development and validation of a music performance anxiety inventory for gifted adolescent musicians.Journal of Anxiety Disorders, 19, 7, 725-751.
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• Pantev, C., Engelien, A., Candia, V., & Elbert, T. (2001). Representational cortex in musicians. Plastic alteration in response to musical practice.Annals of The New York Academy of Sciences, 930, 300-314.
• Parncutt, R. & McPherson, G. (2002).The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning.New York: Oxford University Press.
• Pfordresher, P. Q. (2006). Coordination of perception and action in music performance.Advances in Cognitive Psychology, 2, 183-198.A C P
• Pressing, J. (1999). The referential dynamics of cognition and action.Psychological Review, 106, 714-747.
• Repp, B. H., (2006). Rate Limits of Sensorimotor Synchronization.Advances in Cognitive Psychology, 2, 163-181.A C P
• Rumelhart, D.E., & Norman, D.A. (1982). Simulating a skilled typist: A study of skilled cognitive-motor performance.Cognitive Science, 6, 1-36.
• Schlaug, G. (2001). The brain of musicians. A model of functional and structural adaptation.Annals of The New York Academy of Sciences, 930, 281-299.
• Shaffer, L. H. (1985). Timing in action. In J. A. Michon & J. L. Jackson (Eds.),Time, mind, and behavior(pp. 226-241). Berlin: Springer-Verlag.
• Sundberg, J. (2006). The KTH Synthesis of Singing.Advances in Cognitive Psychology, 2, 131-143.
• Tramo, M.J. (2001). Biology and music. Music of the hemispheres.Science, 291(5501), 54-6.
• Williamon, A. (Ed.) (2004).Musical Excellence: Strategies and techniques to enhance performance.Oxford: Oxford University Press
• Zanto, T. P., Snyder, J. S., & Large, E. W. (2006). Neural correlates of rhythmic expectancy.Advances in Cognitive Psychology, 2, 221-231.A C P

Identyfikatory

DOI

10.2478/v10053-008-0048-6