METAPHORS AND HISTORY IN SLOVAK DOKUMENTARY

• Autorzy: Ferenčuhová Mária
• Języki publikacji: EN

Abstrakty

EN

According to Lakoff’s and Johnson’s theory of conceptual metaphors, metaphors provide a partial understanding of one kind of experience in terms of another kind of experience. Therefore they help us to understand our present and/or our past reality. In his Metahistory, Hayden White states historians often approach their topic topologically pre-figuring it. By choosing a predominant trope they see history through, they choose also the genre for their writing. Referring to these works on tropes, we study several creative methods that appear in contemporary Slovak historical documentary. From “cans of time”, a metaphorical concept of cinematographic memories, presented by Marek Šulík, through the oeuvre of Peter Kerekes in which the metaphor is used as an element of structure, to debuting Anabela Žigová or Vladislava Plančíková who use metaphors to reflect on historical research, Slovak authorial documentaries represent a very inspiring metahistorical material.

Słowa kluczowe

EN

CONCEPTUAL METAPHOR; NARRATIVE STRUCTURE; DOCUMENTARY; SLOVAK HISTORY

• Wydawca: Institute of Theatre and Arts, Slovak Academy of Sciences
• Czasopismo: Slovenské divadlo (Slovak Theatre)
• Rocznik: 2016
• Tom: 64
• Numer: 3
• Strony: 316 – 322

Twórcy

autor

Ferenčuhová Mária

• Ústav divadelnej a filmovej vedy SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak Republic,