Warianty tytułu
DIALECTICS OF MODERNIST IMAGERY: JAN KASPROWICZ’S “WILD ROSE BUSH” AND STEFAN ZEROMSKI’S “RAVENS AND CROWS WILL PICK OUR BONES”
Języki publikacji
Abstrakty
The article presents a mechanism Young Poland’s poetics collaboration within one piece of art in order to struggle through the external sign, all with the aim of penetrating the deepest reserves of common consciousness. Moving within the limits of impressionist and expressionist and naturalist imagery dialectics, the receiver of pieces of art realising correspondances des arts penetrates the images of the presented world at different levels, from their tangible clarity through sensationality and emotionality to embrace them into a symbolic metaphor. The author of the article views this aspect of simultaneous coupling the various poetics as a value which determines the verbal record superiority over the painting one.
Wydawca
Czasopismo
Rocznik
Tom
Numer
Strony
137–147
Opis fizyczny
Twórcy
autor
- Koszalin University of Technology
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
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