„PRASKANIE OBRAZU“ ALEBO POETIKA TRHLÍN (NA PRÍKLADE FESTIVÍT SUBKULTÚRNEJ PREZENCIE)

• Autorzy: Bílik René

Warianty tytułu

EN

„A cracking picture“ or poetics of ruptures (Exemplified by festivities of subcultural presence)

• Języki publikacji: SK

Abstrakty

EN

The paper consists of two parts. In the first one the author focuses on obtaining methodological tools, which make it possible to oppose the rationalist modernist construct of history as „inevitable evolution“, where an individual human and his or her living uniqueness, the concept aimed at revealing and emphasizing living uniqueness of existence dissolve. What becomes the tool for the author is the „principle of authenticity“ formulated by Alessandro Ferrara and the effort to develop the „project of modernism“, which is presented by Miroslav Petříček. By employing the methodological apparatus, the other part of the paper is aimed at identifying poetics of presence (as modality of event poetics), which was used to „show“ activities of subcultures in the space of Czechoslovak culture after year 1948.

Słowa kluczowe

EN

POETICS; FESTIVITY; PERFORMATIVITY

• Wydawca: Institute of Slovak Literature, Slovak Academy of Sciences
• Czasopismo: Slovenská literatúra (Slovak Literature)
• Rocznik: 2019
• Tom: 66
• Numer: 2
• Strony: 68 – 87

Twórcy

autor

Bílik René

• Katedra slovenského jazyka a literatúry, Pedagogická fakulta Trnavskej univerzity v Trnave, Priemyselná č. 4, 918 43 Trnava, Slovak Republic,