Warianty tytułu
Języki publikacji
Abstrakty
Ernst Gombrich stated that reading Max Dvořák convinced him that the art of the past “offered an immediate and exciting access to the mind of bygone ages”. The paper documents his involvement with Dvořák from his school-leaving essay, through his experience at university, into his essays for Kritische Berichte and then into his later career at the Warburg Institute. It will argue that although Gombrich rapidly came to criticise the notion of “immediate” access, it nevertheless raised problems that stayed with him through his career and thus exercised a benign influence on his development.
Słowa kluczowe
Czasopismo
Rocznik
Tom
Numer
Strony
125-138
Opis fizyczny
Twórcy
autor
- Department of History of Art, The Barber Institute of Fine Arts, The University of Birmingham, Edgbaston, Birmingham B15 2TS, United Kingdom, r.woodfield@bham.ac.uk
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.cejsh-93a61746-8233-4937-8e15-26e0f28a476f