HETEROTOPIAS IN THE SLOVAK FICTION FILM OF 1990S AS SPACES OF SELF-TRANSFORMATION

• Autorzy: Dudková Jana
• Języki publikacji: EN

Abstrakty

EN

The paper examines heterotopias in three distinct Slovak films as symptoms of disenfranchisement on the part of the film-makers during the transformative period in Slovak cinema. The first part analyses idyllic and heterotopic qualities of space in Martin Šulík’s Záhrada [The Garden, 1995], while the following parts examine heterotopic spaces in debuts by Štefan Semjan Na krásnom modrom Dunaji [On the Beautiful Blue Danube, 1994] and Miroslav Šindelka Vášnivý bozk [Passionate Kiss, 1994]. The paper shows how heterotopic qualities of spaces in these films correspond with self-transformation of the main characters and how the very processes of self-transformation can serve as commentaries on current situation within Slovak film industry.

Słowa kluczowe

EN

SLOVAK CINEMA; HETEROTOPIAS; SPACE; FILM

• Wydawca: Institute of Theatre and Arts, Slovak Academy of Sciences
• Czasopismo: Slovenské divadlo (Slovak Theatre)
• Rocznik: 2020
• Tom: 68
• Numer: 3
• Strony: 229 – 238

Twórcy

autor

Dudková Jana

• Ústav divadelnej a filmovej vedy CVU SAV, Dúbravská cesta 9, 841 01 Bratislava, Slovak Republic,

Identyfikatory

DOI

10.31577/sd-2020-0014