Warianty tytułu
Języki publikacji
Abstrakty
This article interprets the feelings in photographic art of Robert Mapplethorpe (1945-1989) and Nan Goldin (born 1953), usually analysed in terms of being 'extremely sexualised'. In Mapplethorpe's and Goldin's art, we can sense feelings. In our opinion, photography can love, think, and offer hospitability/'other(guest)ness'* to strangers, eccentrics, weirdoes of any genre. Afterthought on feelings has been there since Heraclitus and The Song of Songs; today, scholars like Hélene Cixous, André Green, Julia Kristeva, Martha C. Nussbaum or Griselda Pollock have resumed the discussion. Mapplethorpe's and Goldin's art appears to be intimate, bi-sexual, one that explores homosexuality, as we believe, as an emotional orientation. We interpret these pieces of photographic art as being composed of love, dissimilar/eccentric thought, and interiors - body-souls. (* The Polish word for 'hospitality' used in the original is split into two, enabling a pun: gosc-innosc, i.e. 'guest + otherness' = hospitality. -Translator's note)
Słowa kluczowe
Czasopismo
Rocznik
Numer
Strony
272-284
Opis fizyczny
Rodzaj publikacji
ARTICLE
Twórcy
autor
autor
- T. Kitlinski, Uniwersytet Marii Curie-Sklodowskiej w Lublinie, pl. Marii Curie-Sklodowskiej 5, 20-031Lublin, Poland
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
CEJSH db identifier
07PLAAAA02615378
Identyfikator YADDA
bwmeta1.element.20251336-2fda-37b0-b4bd-518c9a782031