Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2024 | 2(8) | 1-16

Article title

On Fragments: A Piece of Art and the “I” – or Not

Content

Title variants

PL
O fragmentach. Dzieło sztuki i „ja” – albo nie
IT
A proposito di frammenti. Un’opera d’arte e “me” – oppure no

Languages of publication

Abstracts

PL
W eseju badane są implikacje filozoficzne obecne w późnym, najbardziej enigmatycznym i metonimicznym dziele teatralnym Samuela Becketta Nie ja. Implikacje te są bezsprzeczne, mimo że autor Czekając na Godota często zaprzeczał swym (sugerowanym przez krytyków) zainteresowaniom filozofią, której – jak twierdził – ani nie czytał, ani nie rozumiał. Wspomniana sztuka jest jednak dziełem głęboko ontologicznym, a metonimia w jego obrazie scenicznym przywołuje klasyczną filozoficzną zagadkę, dotyczącą relacji części (tu: utworu lub jego fragmentu) do całości. Jest to kwestia, która Becketta intrygowała przez większą część jego twórczego życia.
EN
This essay explores the philosophical implications inherent in Samuel Beckett’s most enigmatic and metonymic late theater work, Not I, even as he frequently abjured any interest in philosophy, which he claimed neither to read nor to understand. The play is profoundly ontological, however, and its metonymic stage image engages the classical philosophical conundrum of the relationship of the part, a piece or fragment, say, to the whole, an issue with which Beckett has at least been intrigued for most of his creative life.

Year

Issue

Pages

1-16

Physical description

Dates

published
2024

Contributors

References

  • Beckett Samuel (1984a): Samuel Beckett: The Collected Shorter Plays. Grove Press, New York. Full text available at: https://edisciplinas.usp.br/pluginfile.php/5012762/mod_resource/content/2/COLLECTED%20SHORTER%20PLAYS-%20BECKETT.pdf.
  • Beckett Samuel (1984b): Disjecta: Miscellaneous Writings and a Dramatic Fragment. Ed. Ruby Cohn. Grove Press, Ney York.
  • Beckett Samuel (2011): The Letters of Samuel Beckett, Vol. 2, 1941–1956. Ed. George Craig et al. Cambridge University Press, Cambridge, UK.
  • Beplate Justin (2007): Stephen’s lyrical language: memory and imagination in Ulysses. “Études anglaises” 2007, vol. 60, no. 1, pp. 42–54.
  • Deleuze Gilles (1997): Whitman. In: Essays Critical and Clinical. Translated by Daniel W. Smith and Michael A. Greco. University of Minnesota Press, Minneapolis, pp. 46–47.
  • Gasché Rodolphe (1991): Foreword to Friedrich Schlegel’s Philosophical Fragments. University of Minnesota, Minneapolis. Full text available at: https://www.sas.upenn.edu/~cavitch/pdf-library/Schlegel_Philosophical_Fragments_UMP_edition.pdf.
  • Gontarski Stanley E. (1997): Staging Himself, or Beckett’s Late Style in the Theatre. “Samuel Beckett Today / Aujourd’hui” 1997, vol. 6, pp. 87–97. JSTOR, http://www.jstor.org/stable/25781211.
  • Graver Lawrence and Raymond Federman (eds.) (1979): Samuel Beckett: The Critical Heritage. Routledge, London. Full text available at: https://www.academia.edu/5191322/L_Graver_R_Federman_Samuel_Beckett_The_Critical_Heritage.
  • Harmon Maurice. (1998): No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider. Harvard University Press, Cambridge, MA.
  • Joyce James (1986): Ulysses: A Critical and Synoptic Edition. Eds. Hans Walter Gabler et al. Random House, New York.
  • Kant Immanuel (1929): Critique of Pure Reason. Translated by Norman Kemp Smith. Macmillan, London, p. 331.
  • Kristeva Julia (1980): Desire in Language: A Semiotic Approach to Literature and Art. Ed. Leon S. Roudiez. Translated by Thomas Gora, Alice Jardine and Leon S. Roudiez. Columbia University Press, New York.
  • Kristeva Julia (2000): The Sense and Non-Sense of Revolt: The Powers and Limits of Psychoanalysis, vol. I. Translated by Jeanine Herman. Columbia University Press, New York.
  • Loh Vanessa (2021): review of: Sbriglia Russell and Slavoj Žižek (eds.) (2020): Subject Lessons: Hegel, Lacan, and the Future of Materialism. “Studies in 20th & 21st Century Literature,” vol. 45. Northwestern University Press, Evanston, IL. https://doi.org/10.4148/2334-4415.2189.
  • Margaroni Maria (ed.) (2022): Understanding Kristeva, Understanding Modernism. Bloomsbury Academic, New York.
  • McKeane John (2023): Art (and Its Deliverance). In: Understanding Nancy, Understanding Modernism. Ed. Cosmin Toma. Bloomsbury Academic, New York, pp. 265–267.
  • Nancy Jean-Luc (1997): Art, a Fragment. In: The Sense of the World. Translated by Jeffrey S. Librett. University of Minnesota Press, Minneapolis, pp. 123–139.
  • Nancy Jean-Luc (2005): The Ground of the Image (Perspectives in Continental Philosophy). Trans. Jeff Fort. Fordham, NY: Fordham University Press. Full text available at: https://issuu.com/lso_rj/docs/nancy_-_the_ground_of_the_image.
  • Piette Adam (1996): Remembering and the Sound of Words: Mallarmé, Proust, Joyce, Beckett. Oxford University Press, Oxford.
  • Record Jehl Roby Evan (2013): The “Nightmare of History” in James Joyce’s Ulysses. “Vanderbilt Undergraduate Research Journal,” no. 9. Available from: https://doi.org/10.15695/vurj.v9i0.3766.
  • Ricks Christopher (2002): Imagination dead imagine. “The Guardian,” 1 June 2002, https://www.theguardian.com/books/2002/jun/01/highereducation.news1.
  • Segall Matthew D. (2022): Time and Experience in Physics and Philosophy: Whiteheadian Reflections on Bergson, Einstein, and Rovelli. In: Einstein vs. Bergson: An Enduring Quarrel on Time. Eds. Alessandra Campo and Simone Gozzano. De Gruyter, Berlin, Boston, pp. 273–298. Available from: https://doi.org/10.1515/9783110753707-016.
  • Sbriglia Russell (2021): Notes Toward an Extimate Materialism: A Reply to Graham Harman. “Open Philosophy” 2021, vol. 4, no. 1, pp. 106–123. Available from: https://doi.org/10.1515/opphil-2020-0175; https://www.degruyter.com/document/doi/10.1515/opphil-2020-0175/html. See also: https://www.youtube.com/watch?v=lsTHIeWu3x0.
  • Sbriglia Russell (2022): The Subject. In: Understanding Žižek, Understanding Modernism. Eds. Jeffrey R. Di Leo, Zahi Zalloua. Bloomsbury Academic, New York, pp. 222–225.
  • Whitelaw Billie and James Knowlson (1978): Practical Aspects of Theatre, Radio and Television. “Journal of Beckett Studies” 1978, no. 3, pp. 85–90. JSTOR, http://www.jstor.org/stable/44783121.
  • Žižek Slavoj (2019): Sex and the Failed Absolute. Bloomsbury Academic.
  • Žižek Slavoj (2019): The Ticklish Subject: The Absent Centre of Political Ontology. Verso, London.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
59346475

YADDA identifier

bwmeta1.element.ojs-doi-10_31261_FLPI_2024_08_10
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.