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2023 | 123 | 3 | 194-210

Article title

Sieciowe lokacje muzyki kontrolowanej napięciem oraz kilka problemów wirtualnej etnomuzykologii sceny DIY Synth

Authors

Content

Title variants

EN
Voltage-controlled music sites and some problems of the virtual ethnomusicology of the DIY Synth scene

Languages of publication

Abstracts

EN
The article is a review of an independent DIY Synth scene, a community of artists and amateur engineers who create and modify electronic musical instruments. The nature of this ephemeral phenomenon stems from the forms of participation and knowledge exchange within a global, dispersed community, mediated by network and interactive media. Consequently, DIY Synth constitutes an interesting subject for ethnomusicological research which, due to the aforementioned nature of this scene, needs to be expanded to include methods of network ethnography. Complemented by the issues of mediated communication, the image of the DIY Synth community, as expressed in the means of participation and the content of collective knowledge, indicates that it has an ambiguous relationship to various ecosystems it draws from and feeds. As a result, the operation of DIY Synth groups consists of several interwoven threads, namely the issues of spontaneous, grassroot inventiveness by enthusiasts of both electronic devices and music created using these devices; economic issues characteristic for the musical instruments market and its dynamic development towards a prosumer model; and finally, cultural and political issues which allow DIY Synth to acquire a deeper meaning in the current turbulent musical and sound space.

Year

Volume

123

Issue

3

Pages

194-210

Physical description

Dates

published
2023

Contributors

  • Instytut Kulturoznawstwa, Uniwersytet im. Adama Mickiewicza w Poznaniu

References

  • Collins, Nicolas. Handmade Electronic Music – The Art of Hardware Hacking. New York: Routledge, 2006.
  • Collins, Nicolas, Julio d’Escriván, red., The Cambridge Companion to Electronic Music. Cambridge: Cambridge University Press, 2017.
  • Cooley, Timothy J., Katherine Meizel, Nasir Syed. „Virtual fieldwork: Three case studies”. W: Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, red. Gregory Barz, Timothy J. Cooley. New York: Oxford University Press, 2015.
  • Egan, Patrick. „Insider or outsider? Exploring some digital challenges in ethnomusicology”. Interdisciplinary Science Reviews 46, 4 (2021).
  • Gambetti, Rossella. „Netnography, digital habitus, and technocultural capital”. W: Netnography Unlimited: Understanding Technoculture Using Qualitative Social Media Research, red. Robert V. Kozinets, Rossella Gambetti. New York: Routledge, 2021.
  • Ghazala, Reed. Circuit-Bending. Build Your Own Alien Instruments. Indianapolis IN: Wiley Publishing, 2005.
  • Ghazala, Reed. „The folk music of chance electronics: Circuit-bending the modern coconut”. Leonardo Music Journal 14 (2004).
  • Kędziora, Piotr. „Habitus muzyczny a wzorzec słuchania. Zarys społecznej ramy doświadczenia muzycznego”. W: Kultury muzyczne – kultury słuchania, red. Magdalena Kamińska, Piotr Kędziora, Emilia Stachowska. Poznań: Wydawnictwo Nauk Społecznych i Humanistycznych UAM, 2020.
  • Lysloff, René T.A. „Musical community on the Internet: An on-line ethnography”. Cultural Anthropology 18, 2 (2003).
  • Rice, Timothy. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press, 2014.
  • Richards, John. „Beyond DIY in electronic music”. Organised Sound 18, 3 (2013).
  • Richards, John. „DIY and maker communities in electronic music”. W: The Cambridge Companion to Electronic Music, red. Nick Collins, Julio d’Escriván. Cambridge: Cambridge University Press 2017.
  • Richards, John. „The music of things”. Journal of the Japanese Society for Sonic Arts 9, 2 (2017).
  • Titon, Jeff T. Worlds of Music: An Introduction to the Music of the World’s Peoples. Belmont CA: Schirmer – Cengage Learning, 2009.
  • Wood, Abigail. „E-fieldwork: A paradigm for the twenty-first century”. W: The New (Ethno)musicologies, red. Henry Stobart. Lanham: Scarecrow Press, 2008.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
55928905

YADDA identifier

bwmeta1.element.ojs-doi-10_26112_kw_2023_123_14
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