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2022 | 120 | 4 | 80-93

Article title

W stronę postludzkiego muzeum. Praktyki artystyczne w dobie postpandemii

Authors

Content

Title variants

EN
Towards a post-human museum. Artistic practices in the post-pandemic era

Languages of publication

Abstracts

EN
This article addresses the museum through the prism of the current posthumanist discussions that are gaining in importance in the era of the COVID-19 post-pandemic. It analyses the historical attempts to break the dominant anthropocentric point of view and its vision of the world based on the modernist oppositions of nature–culture, human–non-human and material–immaterial. By recalling the examples of avant-garde practices and the resulting critical concepts of institution, the author ponders on the permanence of universalist narratives giving humans a privileged status and making the world subordinate to people. The paper asks questions about the future of the museum given the crisis of the anthropocentric paradigm and the need to redefine the existing concepts and rethink the relationship between humans and the environment. The only chance for this institution to survive in the Anthropocene is a post-human museum, which, the author argues, can protect the institution of art from becoming anachronistic and eventually forgotten. Is the vision of the institution based on caring for Other-than-Human Beings, promoting the interspecies communication and responding to modern challenges, possible to be implemented?

Year

Volume

120

Issue

4

Pages

80-93

Physical description

Dates

published
2022

Contributors

  • Instytut Kultury Europejskiej w Gnieźnie, Uniwersytet im. Adama Mickiewicza w Poznaniu

References

  • Alberro, Alexander, Blake Stimson, red., Institutional Critique. An Anthology of Artists’ Writings. Cambridge, Massachusetts, London: The MIT Press, 2011.
  • Aloi, Giovanni. „«The Milk of Dreams»: A posthuman revolution at the 59th Venice Biennale”. Flash Art 55, 339 (2022).
  • Bourdieu, Pierre. Reguły sztuki. Geneza i struktura pola literackiego. Tłum. Andrzej Zawadzki. Kraków: Universitas, 2001.
  • Braidotti, Rosi, Maria Hlavajova. Posthuman Glossary. London: Bloomsbury Academic, 2019.
  • Cameron, Fiona R. „Theorising more than human collectives for climate change action in museums”. W: Ecologising Museums. L’Internationale Online, 2016. https://d2tv32fgpo1xal.cloudfront.net/files/04-ecologisingmuseums.pdf.
  • DeSilvey, Caitlin. Curated Decay. Heritage beyond Saving. Minneapolis, London: University of Minnesota Press, 2017.
  • Latour, Bruno. Splatając na nowo to, co społeczne. Tłum. Krzysztof Abriszewski. Kraków: Universitas, 2010.
  • Merriman, Nick. „30 Years after The New Museology: What’s Changed?”. Zeszyty Naukowe Uniwersytetu Jagiellońskiego. Prace Etnograficzne 48, 2 (2020).
  • O’Doherty, Brian. Inside the White Cube. The Ideology of the Gallery Space. San Francisco: University of California Press, 1986.
  • Piotrowski, Piotr. Muzeum krytyczne. Poznań: Wydawnictwo Rebis, 2011.
  • Popczyk, Maria. Estetyczne przestrzenie ekspozycji muzealnych. Artefakty przyrody i dzieła sztuki. Kraków: Universitas, 2008.
  • Popczyk, Maria, red., Muzeum sztuki. Kraków: Universitas, 2005.
  • Putnam, James. Art and Artifact. The Museum as Medium. New York: Thames & Hudson, 2009.
  • Suchan, Jarosław, Agnieszka Pindera, red., Awangardowe muzeum. Łódź: Muzeum Sztuki w Łodzi, 2020.
  • Vergo, Peter, red., The New Museology. London: Reaktion Books, 1997.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
55992115

YADDA identifier

bwmeta1.element.ojs-doi-10_26112_kw_2022_120_07
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