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1
Content available remote Architektura bez granic – peryferyjność czy uniwersalizm
Pawlicki Bonawentura Maciej
Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych
|
2007
|
T. 3
107--116
PL
Artykuł przedstawia pogląd, iż dawne, ewoluujące w ciągu wieków idee, kształtujące przez tysiąclecia wybitne dzieła sztuki, postać techniki, formy i plany wytworów urbanistyki, a także szatę zewnętrzną architektury zależały od otwartości lub introwersji granic, zbliżenia lub osamotnienia cywilizacyjnego i kulturowego, w zamykaniu lub rozprzestrzenianiu się kręgów kulturowych. Tożsamość i identyczność tworów natury pozostaje w opozycji do charakteru wytworów dzieł człowieka, który w nieustannej pogoni za innowacyjnością zrywa kontakty z tradycją, szczególnie w dzisiejszym świecie przyspieszenia technologicznego. świadoma twórczość nie powinna dziś także prowadzić do saprofitycznego rozkładu swej własnej tradycyjnej metaprzestrzeni, będącej świadectwem kultury i tożsamości narodowej.
EN
The paper represents the opinion, that the former, evolving in draught of ages ideas formative by millennium prominent works of art, figure of technique, form and plans of products of town-planning, and they depended from frankness or introversion of borders the external garment of architecture also, the close relation or loneliness of the civilization and cultural, in closing or the spreading the cultural circles. Stays in opposition the identity and identity of creatures of nature to the character of products of works the man, which in incessant it will drive on for innovatory activities and innovation it tears off with tradition the contacts, particularly in today"s world the technological acceleration. The sensible works should not today also lead to sardonic feeding on with dead matter schedule her own traditional the met space, being with certificate of culture and identity national.
2
Content available remote Uniwersum architektoniczne
Mistur J.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
247--249
EN
Social changes cause in contemporary reality such phenomena like relativism of rules, totalitarianism and globalisation. They obviously refers also to architecture. They transform the notion of architecture by moving its boundaries and extending its range to the infinite architectural space i.e. architectural universe. It can embrace all spatial forms, the natural ones and those built by man.
3
Content available remote Trwałość, użyteczność, piękno - a co na to codzienność?
Będkowska E.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
129--134
EN
Every quest for limits of phenomenons, ideas or material things is a very fascinating task. Therefore those limits describe, determine, characterize, differentiate or simply close. This paper refers to only one, presented from subjective point of view, aspect of the question how to define limits of architecture.
4
Content available remote Spokojnie, to tylko architektura
Gzell S.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
47--52
EN
Attempts to find what is architecture became almost frantic. One could say that instead of increasing quality of architecture we are trying to develop its definition. However, knowledge of definition and scope of architecture are necessary. First, they indicate buildings (urban complexes) which are examples of so called „good architecture". Secondly, they point out those of us who are crossing borders - and it is up to us to say we are face new directions in architecture or to deny proposals as „no architecture". To be successful we have to remember that it is kind of „fight on architecture" and a stake in this game are freedom of the individual and democracy.
5
Content available remote Schody - monument - granice architektury
Haupt P.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
179--183
EN
Adolf Loos placed two items within the limits of architecture - tomb and monument. Anything beyond had to be excluded from the world of art. Did he define the limits of architecture? Although he pointed out monument, he never specified a clear definition. The thesis, inspired by Loos's dictum and a photograph of two buildings in Place de la Maison Carre in Nimes (Il. 1) explains the significance of the stairs in an attempt to define what makes a building a monument.
6
Content available remote „Rym" w architekturze
Kuryłowicz E.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
59--63
EN
Theme of the conference leads to thinking about definitions of architecture. Trying to find an answer the present author discusses two terms widely used in Polish architectural discussions of recent times: identity and orderliness, which are commonly abused and misinterpreted. This leads to misunderstandings and makes formulating the up-to-date definition difficult. Conclusion is that the limits for architecture are set by human mind.
7
Content available remote Pogranicza architektury
Motak M.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
255--261
EN
There has been a number of definitions of architecture developed and applied through history. Depending on the definition one can also define the limits and „borderlands" of architecture. Depending on their characteristics there are numerous pieces of architecture to be placed within the limits of architecture or outside. Some of them can be disputed whether they belong to architecture or not, such as unbuilt things; imagined things; ugly, poorly built or impractical buildings. A specific example of a „margin of architecture" are paintings showing fantastic townscapes; they consist of real buildings, existing in given towns, mixed in the paintings. It has been illustrated by discussing two 20th-century paintings by outstanding Polish artists.
8
Content available remote On the border: shadows in the water
Trillo de Leyva J. L.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
82--85
9
Content available remote O irracjonalności granic w sztuce albo o poszukiwaniu absolutu
Stalony-Dobrzański P.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
294--297
EN
It's difficult to find border between bad or good architecture. Borders in art, generally are just in author's mind. It's not good to close world of architecture in any border. Every author should make different world for his own project.
10
Content available remote Nieprzeciętna przeciętność
Mizia M.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
250--254
EN
In recent times the meaning of the word architecture has extended to include many aspects of life. At the same time the process of building has become subject to fewer and fewer limitations both formal, functional and technological. Designing requires a varied and many-sided approach, and an interdisciplinary character. As architecture is a combination of different needs, abilities and ambitions, it can not be subjected to immutable limits and definitions. Even its very essence is subject to changes together with development of civilisation.
11
Content available remote Miękkie i twarde granice architektury oraz przypadek psiej budy
Kozłowski D.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
107--113
EN
Knowledge of architecture is carried on views of buildings. But first, these are views in the Book-pictures. That Knowledge is usually ended on this experience. The books fixed „territory of architecture"; covers of books makes: Paperback and Hardback Architecture Borders, delimitate territory of architecture. We do not knows, what to do with a Case of the Doghouse; where is its territory.
12
Content available remote Interrupted calling
Dal Fabbro A.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
29--33
13
Content available remote Granice ustaleń planu a granice architektury
Podhalański B., Arvay-Podhalańska E.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
276--277
EN
Is the border between architects vision and urban planner's vision still existing and where it lays? According to the law, in spatial and urban planning, planners should define architectural form of future development. Their task is also to take care of public interest and quality of public space. It is obvious, that private and public interests are often quite different. Private land owners take care mainly of their own business and rarely are interested in what is out of their property. Because spatial order appears as an important aim of any local plan, it is impossible to achieve it anticipating incoherent, but even best architectural visions of different architects working in the same space. New law contain tools appropriate to implementation and control of architectural forms throughout the whole process of planning, designing and building. What is the price of freedom of creation architectural forms? Should we still pay quality of space we live in for? Those questions are always up to date. Where lays border between architects vision and urban planner's vision? Spatial order is an aim of any local plan; it is impossible to achieve it anticipating incoherent, but even best architectural visions of different architects working in the same space. New law contain tools appropriate to implementation and control of architectural forms. Is quality of space we live in the price paid for freedom of creation architectural forms?
14
Content available remote Granice architektury według Adolfa Loosa
Olenderek J.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
262--266
EN
Architect Adolf Loos (1870-1933) was one of the most important pioniers of the European Modern movement. He was an early opponent of the decorative trends of Art Nouveau. Is Ornament a Crime? Everything else that fulfils a function is to be excluded from the domain of art. What had Loos said?
15
Content available remote Granice architektury w kontekście triady Witruwiusza - trwałości, użyteczności i piękna
Strumiłło K.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
302--305
EN
An attempt has been made to show how essential values: durability, usefulness and beauty are helpful to explain or to define the bounds of architecture. The civilazation has influenced the conception of the Vitruvius's triad. A lot of opinions especially concerning the aesthetic form are subjective that makes it difficult to establish the exact definition of the bounds of architecture. Besides, the building materials, the way of using the building and its aesthetics are constantly changing. However, the objects deprived of these features can't be numbered among the architectural objects.
16
Content available remote Granice architektury - poza estetykę
Sietnicki M.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
283--286
EN
Architecture of events is architecture beyond aesthetics. With some new tools like superposition, crosspro-gramming, disjunction, diagrams and folding developed by Tschumi, Eisenman and Koolhaas we can make architecture without designing of form, function and structure. Last year two of my students developed graduate projects using tools of architecture of events, which shows that architecture can reach beyond aesthetics.
17
Content available remote Granice architektury i w architekturze
Czechowicz J.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
145--151
EN
It's hard to determine limits of architecture, especially limits of specific kind of architecture and if architecture is good or bad. It seems the range of architecture is compatible with the range of human activity. However formulating a definition of „good architecture" would show a way to create an ideal work and it would be unfeasible. Instead of this, we can search some determinants leading to creation elements of good architecture - with proper proportions, historical and regional values, and elements of art.
18
Content available remote Granice architektury - granice definicji
Charciarek M.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
135--139
EN
Searching limits of architecture apply to definitions of architecture it makes the main thesis of article. Multitude of definitions such objectives (rationally) as subjectives (intuitive) provides that limits of architecture are still widening. Allowed the author the problem concentrates on consciousness decision of using the rules of architecture and follow that way accept them or reject.
19
Content available remote Granice - architektura a kultura symboliczna
Zawisza R.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
344--349
EN
It doesn’t seem to be very hazardous to claim that architecture is the science and an art „on borderline". Following the idea of Jadwiga Sławińska one can say that architecture locates itself between two spheres of culture: the symbolical culture, and the culture of being. This peculiar condition can be the reason of multiplication of architectural definitions and impossibility of precise limits of architecture as an aesthetic figure and a kind of scientific theory as well.
20
Content available remote Granica, która dzieli. Pogranicze, które spaja
Grycel J.
Czasopismo Techniczne. Architektura
|
2003
|
R. 100, z. 8-A
173--178
EN
A thin line on the map, which marks a border line between two countries, hardly ever is a border line between two different worlds. There is always a spatial buffer called „borderland". The question is whether the border line has an effect on the architecture of the borderland. Białystok and Grodno are two twin-cities, which used to grow-up in similar conditions on the eastern borderland of Poland. That is why the space of both cities from the period till the beginning of II World War is very alike. After that they must have parted company. The author makes an attempt to find out in what way a new border line between them influenced their architecture (esp. in the field of housing architecture).
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