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Kościół na Woli Justowskiej w Krakowie

Böhm Aleksander

Zeszyty Naukowe Politechniki Poznańskiej. Architektura, Urbanistyka, Architektura Wnętrz

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2022

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Z. 8

63--76

PL

Wola Justowska od dawna uchodziła za najatrakcyjniejszą miejską dzielnicę willową Krakowa. W 1948 roku przeniesiono tu drewniany kościół z XVI wieku, który pierwotnie wybudowano w Komorowicach Śląskich. Spłonął w pożarze w 1978 roku. Niedługo potem został odbudowany, by w 2002 roku ponownie spłonąć. Zespół projektowy po odpowiednich analizach krajobrazowych, rozpatrzeniu wielu pomysłów odbudowy oraz lokalizacji opracował ostateczną wersję projektu. Zatwierdzono zgodnie z wolą mieszkańców odbudowę kościoła w jego pierwotnym miejscu – na Woli.

EN

Wola Justowska has been thought od as the most attractive urban villa district of Kraków. A timber church from the XVI century that had orginally been built in Komorowice Śląskie was relocated here in the year 1948, subsequently burning down a fire in 1978 in unknown circumstances. It had been rebuilt soon after, only to be set on fire a second time in 2002. After discuting numerous ideas and locations of its reconstrucion, the desing team developed a final version of its desing, wchich festured the reconstruction of the church in its orgial location – in accordance with the will of the residents of Wola had been preceded by appriopriate landscape analyses.

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Między mandatem a partycypacją społeczną

Böhm Aleksander

Prace Komisji Krajobrazu Kulturowego

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2008

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nr 10

515--524

PL

Rzecz będzie przedstawiona na przykładzie dwu podstawowych instrumentów zarządzania krajobrazem kulturowym – miejscowego planu zagospodarowania przestrzennego i parku kulturowego – porównanych do form ochrony przyrody. Ustanowienie statusu parku kulturowego w roku 2003, było przez planistów długo oczekiwane z nadzieją, na choćby częściowe wyrównanie szans ochrony krajobrazu kulturowego, wobec istniejących od dawna możliwości ochrony krajobrazu przyrodniczego.

EN

The subject is presented as two examples of legal instruments of protection of cultural landscape in Poland, which are: establishing the protection zones within the master plan and legal status: “The Cultural Park”. Both of the mentioned tools, belong to the competence of the local government. It means, that decisions are made by the local council by voting. At the end of the year 2005, only 15 % of Polish local government have prepared master plans for their territories (as it is nonobligatory). According to the Malopolska Regional Plan, 242 areas fulfilled the criteria to be nominated as “The Cultural Park”. Nevertheless, up to the end of 2007, none have been established. It means that the majority of Polish local governments are not interested in physical planning as such, and are far from protecting cultural sites within their boundaries.Therefore the degradation of cultural landscape occurs. As the cultural landscape is a domain of local government, therefore is inadequate. On the other hand, carrying for the natural landscape is the duty of national government and it is realized mainly by governmental laws and regulations, therefore it is much more effective. Till now we have 1320 natural reserves, 120 landscape parks and 23 national parks – under the national government jurisdiction. The protection of cultural landscape in Poland is still to difficult for local governments or/and for local communities, and must be supported by appropriate laws and regulations preferably at the national level.

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Between the theory and practice of landscape formation

Böhm Aleksander

Prace Komisji Krajobrazu Kulturowego

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2008

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nr 9

63--74

EN

The process of landscape transformation has age-long history. People participate in it since not long ago – more or less consciously. The paper is limited only to the role of landscape architecture in this process. History of landscape architecture as a self-dependent profession - even in United States, where it was established - is no longer than 100 years. According to the oldest and most consistent definition, the landscape architecture is primarily a fine art, and as such its most important function is to create and preserve beauty in the surroundings of human habitations and in the broader natural scenery of the country. It means that the beauty is a key word here. Wandering between the theory and practice, we will try to find the answers for the following questions: · Does the creation of beauty fits to any theory · What is relation of theory of preservation of beauty to the practice · For whom the beauty is needed