The topic of the paper is a church architecture considered as the sacred sign in the context of its localization in an urban spece and/or in a landscape. Light as the principal component of the architectural language of creation of the atmosphere of sacred interior is also considered. The author attempts to summarize in the paper her personal experiences of projects realization when confronted with primary assumptions of designing. The social aspects (believers expectations) and some special features in investment process (expectations of priests) were regarded, as well.
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