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1
Content available remote Psuje w krajobrazie
EN
All the time we experience threats and destruction of the landscape values caused by urbanization. There are many reasons for it and we all are responsible for the ugly buildings, wrongly tracted roads and lack of greenery. To change they way of designing and implementation of architecture project let's tray to study Thoughts of Greatest. They could surpass the average, risking their lives with emotion and passion. All this with respect for the nature, tradiction and knowledge. Let's teach the beauty of form, wealth content and usefulness of the house surrounded by a garden.
2
Content available remote Piękno utracone?
EN
Beauty down the drain? Or maybe simply replaced with new aesthetics? Do the examples of ugliness surrounding us belong to the beauty or to the lost one? There are cognitive methods of mind or sense nature which are important when considering the meaning of beauty in architecture and public space of town Kraków. We experience a crisis of beauty traditional apprehension, a crisis of art value in the antique way of sensing it. Frequent contact with ugliness and urban chaos may lead to the collection of so called visual memories redundancy. This way a huge advertise on the wall of National Museum Building can be recognised as a piece of beauty and the building can be found enriched, not disfigured. This way a new needs could be fulfilled. Hopefully this will not work. Hopefully the beauty will be retained - not replaced with new aesthetics categories in architecture.
3
Content available remote Piękno brzydoty - nowa (?) estetyka codzienności
EN
Beauty and ugliness are two theoretically opposing aesthetic categories describing reality. But in the everyday life both seem to be equally alluring, inevitably entwined in common activities and existence. The article explores the ways how the ugliness seems to became the ultimate beauty of architectural surroundings.
4
Content available remote Czy architektura musi być piękna?
EN
Beauty or ugliness in the contemporary architecture such as in the contemporary art is not important. The categories of beauty and ugliness changes together with the fantasies and the statements of the artists. Unreal and still undiscovered spaces of virtual fantasy became the bridges between the technological world and complicated shapes of organic world which surrounds us.
5
Content available remote Byt sam w sobie czy alternatywny świat?
EN
In the context of objective truth myth, which has been abolished by science, there is creative freedom obtained which concedes ambiguous acting and ipso facto gives admittance for far.reaching arbitrariness in justifying artistic assumptions. Creators are focused on searching for their own creations certain models for their creative activities; they form a theory of their own work in discontinuous way because each time a theory becomes appropriate for each artistic idea. Therefore, the perception has become clear to all concerned that all the canons we had won so far within experience of temporariness and superfluity of established values and concepts became effaced. In addition, again there is an accompanying feeling of lack of acknowledgement for objective significance in using general predicates such as symbolic, semiotic, representative, stylistic, traditional... Permanent experimentation to prove that art tends towards feasible entities. Michael Walzer tries to curb the situation by finding justification for those pluralistic acts in a matter of esthetic approbation for dissimilarity, which is being treated as cultural form expressing variety of this world and functional approbation if dissimilarity is necessary condition for human development and gives sense to his autonomy.
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