Wyniki wyszukiwania - BazTech

Ograniczanie wyników

Znaleziono wyników: 2

Liczba wyników na stronie

Wyniki wyszukiwania

Wyszukiwano:
w słowach kluczowych: terracotta

Sortuj według:

Ogranicz wyniki do:

The conservation of architectural statuary in accordance with the ethical requirements for sculpture and architecture

De Clercq Camille, De Roy Judy

Ochrona Dziedzictwa Kulturowego

2019

Nr 8

103--112

Between the conservation-restoration of several disciplines like sculpture and that of architecture differences in the application of the general ethical guidelines exist. Because some “objects” like architectural statuary cannot be classified under one specific discipline this paper attempts to outline the parallels between the applicable disciplines and to point out any inconsistencies, thus encouraging an environment in which the cross-pollination of the principles of a minimal, reversible and stable intervention can thrive and bridging the existing gap between the different fields. Two case studies undertaken by KIK-IRPA Brussels of the treatment of architectural statuary from around 1900 in Brussels are used to illustrate some of these aspects.

Kadyny. Wilhelmińska fabryka terakoty i majoliki 1903/4-1945.

Pospieszna B.

Szkło i Ceramika

2004

R. 55, nr 3

36-40

During the turn of the years 1903/1904 Wilhelm II established the "Royal Workshop of Majolica and Terracotta" at Cadinen, on the Vistula Bay. The factory employed such artists as Ludwig Menzel, Heinrich Splith, Gerhard Jenensch, Wilhelm Haverkamp, Berthold Karl Felderhof, Ernst Westphal, Adolph Amberg and August Vogel, Paul Heydel, and Karl Seeber. Until the out break of the First World War, the factory produced terracotta and majolica wares of these thematic cathegories: 1. statues, vessels, plaques and trinkets associated with the Imperial family 2. vessels, statues and architectural detail in historic stilistics and 3. decorative plaques, statues and vessels adorned with secession style motives. During tha late 1920's Wilhelm Dietrich, the factory director, brought into production a Cadinen style of animal motives and chocholate brown stoneware vessels of the Bottger type as well as creating a uniques decorative style. Vessels with so-called tracery ornamentation became popular. These wares were additionally characterised by a palette of colours consisting of cobalt blue and a warm and deep shade of brown, known as Cadinen red, as well as gilding which accented the decorative motives. The factory ceased to exist after 1945.