Wyniki wyszukiwania - BazTech

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Fusing – szklana piekarnia

Włodarczyk Adam

Szkło i Ceramika

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2023

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R. 74, nr 2

26--33

PL

Spośród wielu technik artystycznego kształtowania, zgrzewanie szkieł w piecu komorowym zwane fusingiem, jest jedną z bardziej popularnych, a także dostępnych dla wielu twórców. Jej geneza sięga starożytności, a najsilniejszy rozwój przypada na lata 50. XX w. w gronie amerykańskich artystów związanych z zainicjowanym przez Harveya Littletona kierunkiem – „Studio Glass Movement”. Amerykańskie eksperymenty z technikami piecowymi sprawiły, że fusing szybko zdobył popularność w innych krajach, także w Polsce. Do dziś zgrzewanie i artystyczne formowanie szkła w piecu jest chętnie wybieranym sposobem ekspresji artystycznej, zarówno dla profesjonalnych twórców, jak i amatorów poszukujących niecodziennego hobby.

EN

Among the many techniques of artistic shaping, melting glass in a chamber furnace, called fusing, is one of the most popular and also available to many artists. Its genesis dates back to antiquity, and the strongest development took place in the 1950s among American artists associated with the direction initiated by Harvey Littleton – „Studio Glass Movement“. American experiments with kiln techniques made fusing quickly popular in other countries, including Poland. To this day, the melting and artistic formation of glass in the furnace is a willingly chosen method of artistic expression, both for professional creators and amateurs looking for an unusual hobby.

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Szkło formowane w piecu

Nowak-Bieganowska Jagoda

Szkło i Ceramika

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2020

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R. 71, nr 3

38--43

PL

Artykuł przedstawia dzieje wytwórczości szkła na przestrzeni epok. Pierwsze próby jego produkcji miały miejsce w Starożytnym Rzymie i Mezopotamii. W wyniku rozwoju rzemiosła szklarskiego i technologii, pojawiły się współczesne techniki piecowe takie jak: pâte de verre, fusing, slumping i topienie w formie. Mimo wielu możliwości jakie oferują w sztuce są one wciąż mniej popularne niż techniki hutnicze. W odniesieniu do wymienionych technik, na przykładach wybranych artystów współczesnych i ich prac, autorka omawia metody tworzenia nie tylko dzieł unikatowych, ale również nieprzemysłowych projektów użytkowych.

EN

Article presents the history of glass melting through epochs. The first attempts to tame quartz took place in Ancient Rome and Mesopotamia. From those ancient techniques rose modern furnace techniques such as pâte de verre, fusing, slumping and melting in form. These glass techniques in art are still less popular than metallurgical techniques, despite many opportunities they offer. In this article, on the example of selected contemporary artists, the author discuss creation methods of not only unique works but also non-industrial utility projects.

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Polaryzacja stołu

Nachyła Olga, Nowak-Bieganowska Jagoda, Nowak-Bieganowska Jagoda

Szkło i Ceramika

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2020

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R. 71, nr 2

45--47

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A new type of slumping-induced soft-sediment deformation structure: the envelope structure

Byun Uk Hwan, van Loon A. J. (Tom), Kwon Yi Kyun, Ko Kyoungtae

Geologos

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2019

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Vol. 25, No. 2

111--124

EN

The sediments of the Cretaceous Gyeokpori Formation in south-western South Korea accumulated in a lake in which mainly siliciclastic rocks were deposited, with some interbedded volcaniclastics. The nearby volcanic activity resulted in unstable lake margins inducing a dominance of gravity-flow deposits. The high sedimentation rate facilitated soft-sediment deformation on the sloping margin. The deposition of numerous gravity-flow deposits resulted in a vertically heterolithic stratification. The slumps are composed of different lithologies, which is expressed in different types of deformation due to the difference in cohesion between sandy and mussy layers within the slumps. Coarser-grained (cohesionless) slumps tend to show more chaotic deformation of their lamination or layering. The difference in slumping behaviour of the cohesive and non-cohesive examples is explained and modelled. A unique soft-sediment deformation structure is recognized. This structure has not been described before, and we call it ‘envelope structure’. It consists of a conglomerate mass that has become entirely embedded in fine-grained sediment because slope failure took place and the fine-grained material slumped down with the conglomerate ‘at its back’. The cohesive laminated mudstone formed locally slump folds that embedded the non-cohesive overlying conglomerate unit, possibly partly due to the bulldozing effect of the latter. This structure presumably can develop when the density contrast with the underlying and overlying deposits is exceptionally high. The envelope structure should be regarded as a special – and rare – type of a slumping-induced deformation structure.

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Szklane realizacje reliefowe i półprzestrzenne w architekturze: Techniki wysokotemperaturowe. Cz.1

Budzyńska A.

Świat Szkła

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2014

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R. 19, nr 12

14--18

6

Apparent contradiction between tectonics and deposition in overturned strata a case study from the "Moravian Culm" (Czech Republic)

Otava J., Havir J.

Geological Quarterly

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2006

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Vol. 50, No. 3

391-396

EN

An apparent contradiction between structural and sedimentological indications commonly used for discrimination of the overturned and non-overturned beds during geological mapping was found at Parsovice, a site situated in the easternmost part of the European Variscides. An outcrop of folded Lower Carboniferous siliciclastic rocks of the "Culm fades" lies on the NE margin of the Bohemian Massif, in the SE part of the Malenik Block (Moravia, Czech Republic). Flute casts in the steep overturned limb of a tectonic fold demonstrate the normal stratigraphic polarity of the bed. At the same site, a slump-related isoclinal fold was found. The apparent contradiction between structural (relation of cleavage and bedding) and sedimentological (flute casts on bed soles) indications is explained by a combination of successive phases of slump- and tectonically-related folding.