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EN
The article discusses problems of designing an ideal book, responding tocurrent market needs. It shows the design goals and difficulties in their fulfillment.Based on analysis of the works of Przemek Dębowski, an outstanding contempo-rary graphic designer, and his interview, attempts were made to obtain the rightmethod of graphical implementation. Important elements of work on the book anddesign decisions have been specified, showing them in the light of the enforcedrules, in particular the concept of congenial typography. It was emphasized that a well-designed book is an integrated whole of visual elements, each being equallyimportant. Dębowski’s views on design mechanisms, that deserve special attention,are summarized. At the same time, an idea is emphasized that the close cooperationof all the book's authors in order to obtain a reader-friendly edition is a value of its own.
EN
An article inspired by Czech review exhibition The Star Circle (Z hvězdykruh) presenting books awarded in editorial competitions of five countries: the Czech Republic, Germany, Poland, Slovakia and Switzerland. The author emphasizes the importance of book functionality and aesthetics, analyzes issues related to the criteria for evaluating design and production quality as well as the procedures used by jurors in competitions of various countries. One points out that the accumulated achievements of the annual competitions constitute a potential, interdisciplinary research material for book scholars, designers and printers, as well as an important source of examples and information about the quality of print and book-binding solutions.
EN
A common conviction that the design language is a source of unlimited abilities, must be re-verified in the case of such a specific object like a printed book. Book design is bound by numerous limitations both internally and externally. Internal limitations are created by the multi-layer design process itself, but also by the communication function of the book and its complex structure, evaluated for hundreds of years to rears to the current form. These limitations touch mostly the four rigid aspects of the book: the scripture, the typographic layout, illustrations and cover. The other kind of limitations which influence the graphic design of the edition, comes from external sources.
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