Wyniki wyszukiwania - BazTech

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Sztuki projektowe wobec ekologii - projekt naukowo-badawczy

Bąba-Ciosek Natalia

Builder

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2021

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R.25, nr 4

48--50

PL

W artykule zostały omówione wyniki i metodyka pracy w projekcie naukowo-badawczym, który był realizowany przez Wydział Architektury Politechniki Śląskiej w Gliwicach oraz Przedsiębiorstwo Zagospodarowania Odpadów w Gliwicach w ramach współpracy między uczelnią a otoczeniem gospodarczym. Celem zadania badawczego były wielowątkowe prace badawczo-projektowe w zakresie możliwości prezentacyjnych, wystawienniczych oraz edukacyjnych związanych z ideą segregacji oraz wiedzą dotyczącą recyklingu i zarządzania odpadami wykorzystywaną przez Partnera projektu. W wyniku prowadzonych badań określono wytyczne realizacyjne oraz formę modeli referencyjnych dla badanych przestrzeni i obszarów problemowych.

EN

The article discusses the results and methodology of work in a science and research project, which was implemented by the Faculty of Architecture of the Silesian University of Technology in Gliwice and Waste Management Company Ltd. in Gliwice as part of cooperation between the university and the economic environment. The aim of the research task was multi-threaded scientific and design work in terms of presentation, exhibition and educational opportunities related to the idea of segregation as well as knowledge of recycling and waste management used by the project Partner. As a result of conducted research, project implementation guidelines and the form of reference models for the studied fields and problem areas were defined.

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Ośrodek Pism Drukarskich w Warszawie (1968-1979)

Tomaszewski Andrzej

Acta Poligraphica

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2020

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Vol. 15

49--67

EN

The author presented the history and the most important project achievements of the Printing Typefaces Center (OPD), which for over a decade was a part of the Research & Development Centre for the Graphic Arts (COBRPP), celebrating its anniversary this year. The facility was managed by Roman Tomaszewski, a well-known publisher and graphic arts specialists. Dozens of typefaces were designed in OPD for page layout techniques that have forever been forgotten. Despite technological changes in printing, the OPD typographic resource is today a reservoir of lettering ready for digitization and making computer fonts.

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"Pro Typo" - zapomniane czasopismo zawodowe

Tomaszewski Andrzej

Acta Poligraphica

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2019

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Vol. 14

41--54

EN

The article presents a concise history of Polish quarterly “Pro Typo“, patronised by ATypI (Association Typographique Internationale). The magazine was published in Warsaw in the years 1991-1992 and was devoted to print aesthetic as well as design of publications and types (both traditional and digital), and also broadly understood visual communication aspects. The former editor presents achievements of this magazine and story of its decline. The Annex contains letters of one of most eminent European graphic designers – Roman Cieślewicz.

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Projekt cyfrowego wzornika krojów pism na urządzenia mobilne

Kiełczewska K., Markowski L.

Acta Poligraphica

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2016

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Vol. 8

45--60

EN

In mobile media, there are many interesting apps about typography, but only few are equipped with tools that allow exploring the important role of typography in graphic design. This article presents several examples of digital typeface catalogues. Based on these examples and tools of Aquafadas DPS and Adobe InDesign software, an original app SPECIMEN for tablets has been created. For this purpose, 15 different typefaces have been chosen. The created app presents all the characteristics of type-faces and possibilities of their use. The E-catalogue also contains the information about the available license, which is important when planning the purchase. The information about the languages of prepared sets of characters is presented. An equally important part about the designers includes short biographical notes, lists other important typefaces designed by them and links to the websites where one can find many more interesting, completed projects. This project has been tested, and on the basis of it, there have been made a number of proposals and described advantages and disadvantages of the Aquafadas DPS software.

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Historia prac badawczych w projektowaniu graficznym

Piechota J., Urbańska P.

Acta Poligraphica

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2014

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Vol. 4

33--44

EN

Research work in graphic design have become a quintessential element of the design process, particularly in those cases when the explicit role of the consumer must be taken into account. The research in design helps to discover and to create the knowledge by pushing in a particular direction. These processes are systematic and conscious approach to solve a posted problem. There are two kinds of research in this aspect: the bibliographic research to retrieve sources of existing knowledge, and the empirical research to create the new knowledge. The methodology of research depends on the needs and the character of the projects, while the research goals remain unchanged in both cases. The most important goals are: information retrieval and gathering, specification of design problems, answering questions, systematic verification of assumptions and hypotheses. Research allows building robust design tools and effective solution synopsis or suggestion.

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Wykorzystanie środowisk virtual reality do kompleksowej analizy projektu

Brachmański A.

Zeszyty Naukowe. Elektryka / Politechnika Opolska

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2008

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Vol. 326, z. 61

17-18

EN

Pre made a 3d Project is an important part of the investment. By the proper use of programming functions we can seriously explore big models using free or very cheap graphic environment.

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Legenda i zasady gestaltyzmu w graficznym projektowaniu treści mapy

Medyńska-Gulij B.

Polski Przegląd Kartograficzny

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2007

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T. 39, nr 2

137-145

PL

Treścią artykułu jest określenie roli legendy w graficznym projektowaniu mapy z uwzględnieniem zasad gestaltyzmu. Zaproponowano schemat projektowania znaków kartograficznych na przykładzie legendy i fragmentu mapy.

EN

The aim of the article is to discuss the role of legend in the graphic design of maps according to gestalt rules. Cartographers and map users face the problem of dual perception of maps. On the one hand they are perceived as a consistent graphic form and on the other as a picture composed of many elements, which are often perceived separately. Especially in the case of thematic maps the process is complex, because elements of thematic contents are visually preferred over base contents. Fig. 1 presents a suggested sequence of steps during the process of map design. The aim of these 8 steps is to provide legend signs with appropriate graphic attributes according to gestalt rules: 1. Grouping of signs according to thematic and base contents, using a horizontal setup of signs in the legend. 2. Initial preparation of graphic signs in the legend - project of visual variables for each sign. 3. Graphic design of the elements of map contents which are not present in the legend, e.g. lettering, background. 4. Selection of vital map fragments, e.g. those with large areas of dense thematic or base contents, or with many names. 5. Application of initial graphic parameters on selected vital areas. 6. Analysis of visual variables of signs according to gestalt rules (basing on a comparison of horizontal sign setup and the visualization of map fragments). 7. Verification of graphic parameters of signs in the legend and other signs used on the map. 8. Horizontal setup of elements of map contents after the verification of graphic parameters (the final graphic version of all the signs and lettering on the map). The above scheme was applied to design signs for a tourist map. The evolution of graphic parameters can be observed in legend signs (fig. 2-5) and map fragments (fig. 6-8). The graphic form of all the signs should be checked, preferably at an early stage of map elaboration, by verifying how they work on selected, 'vital' map fragments. Application of gestalt rules in the process of map elaboration can also significantly influence the design of particular signs.

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System X20 - nowy wzorzec w automatyce

Barszcz J.

Napędy i Sterowanie

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2005

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R. 7, nr 3

22--24

PL

Rynek automatyki charakteryzuje się olbrzymią różnorodnością systemów wejść i wyjść. W większości rozwiązania te są do siebie zbliżone, jadnakże firma B & R Industrie-Elektronik GmbH zaprezentowała system o unikalnych cechach, wyznaczając nowe kierunki rozwoju automatyki przemysłowej.