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Content available remote Projekty wzorcowe w twórczości Hilarego Szpilowskiego
EN
Hilary Szpilowski (1753-1827) is renowned primarily as one of the leading Polish architects from the turn of the eighteenth century and a representative of mature Classicism. Despite numerous studies, his architectural activity still remains insufficiently examined. Years spent holding assorted posts in civil engineering offices in the Prussian partition area, the Duchy of Warsaw and the Kingdom of Poland remain little known. In 1817-1822, H. Szpilowski was professor at the Royal Warsaw University, and after several years as an Architect in the Commission of the Voivodeship of Mazovia he was promoted to the office of Architect in the Government Commission of Religion and Public Education. In this capacity, he concentrated his interests on publications containing architectural patterns. The most important of his exemplary plans are the projects of churches and vicarages issued in Warsaw in 1824. The album Wzory Kościołów po Województwach Królestwa Polskiego stawiać się mających do wyboru Dozorcom Kościelnym dla użytku Budowniczych ułożone przez H. Szpilowskiego (Patterns of Parish Churches in the Voivodeships of the Kingdom of Poland Arranged by H. Szpilowski to be Selected by Church Boards and Used by Constructors) encompasses thirteen projects of churches, composed of a grand plan and a view of the faćade contrasted with the intersection of the nave. The great diversity of the plans was the result of the need to adopt them to the frequently different requirements of the readers. Szpilowski offered both the pattern of a small provincial church and a large three-nave church with a dome. The publication ends with two proposals of a vicarage. This summary of the author's experiences gleaned from his earlier work contains the ultimate codified scheme of a small church. The majority of the suggestions are projects of churches retained in a variant of Classicism that refers both to local solutions and "Palladian" tradition, characteristic for the last quarter of the eighteenth century. (...)
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