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EN
The reflection coefficient of the open end belongs among the essential parameters in the physical description of a flue organ pipe. It leads directly to practical topics such as the pipe scaling. In this article, sound propagation is investigated inside an organ pipe with the most intense mean flow that is achievable under musically relevant conditions. A theoretical model is tested against the experimental data to obtain a suitable formula for the reflection coefficient when a non-negligible flow through the open end is considered. The velocity profile is examined by means of particle image velocimetry. A fully developed turbulent profile is found and interactions of the acoustic boundary layer with the turbulent internal flow are discussed. A higher value of the end correction than expected from the classical result of Levine and Schwinger is found, but this feature shall be associated with the pipe wall thickness rather than the mean flow effects.
2
Content available Sound Intensity Distribution Around Organ Pipe
EN
The aim of the paper was to compare acoustic field around the open and stopped organ pipes. The wooden organ pipe was located in the anechoic chamber and activated with a constant air flow, produced by an external air-compressor. Thus, a long-term steady state response was possible to obtain. Multichannel acoustic vector sensor was used to measure the sound intensity distribution of radiated acoustic energy. Measurements have been carried out on a defined fixed grid of points. A specialized Cartesian robot allowed for a precise positioning of the acoustic probe. The resulted data were processed in order to obtain and visualize the sound intensity distribution around the pipe, taking into account the type of the organ pipe, frequency of the generated sound, the sound pressure level and the direction of acoustic energy propagation. For the open pipe, an additional sound source was identified at the top of the pipe. In this case, the streamlines in front of the pipe are propagated horizontally and in a greater distance than in a case of the stopped pipe, moreover they are directed downwards. For the stopped pipe, the streamlines of the acoustic flow were directed upwards. The results for both pipe types were compared and discussed in the paper.
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