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Spojrzenie na barwę, światło i ruch we współczesnym malarstwie krajobrazu

Borcz A.

Architektura Krajobrazu

2007

nr 4

9-17

The article includes reflections on the subject of modern landscape painting. By the chosen examples of the author's own paintings and photographs, the author investigates the means which artists use to depict landscape. It is always their own, artistic interpretation. Colour sets, size and temperature of various spots serve to build up an atmosphere and "colour energies". Contrast or assimilation of the nature elements or characters painted on canvas can be a result of spontaneous intuition of the author or a decision on the concept of the work taken previously. A concept not limited by realistic local colour. But it is light which decides which colour we see. It is a director of the artistic spectacle. Sometimes it appears in a focussed form on an object, and sometimes it is diluted over a bigger area. It sculptures plants in the painting, terrain shape, or man-made objects. It mirrors their reflection on the water surface and mutually casts shadows. Due to operating with light and shape, an artist achieves an illusion of movement in the painting. The movement, which in the real world is observed on the basis of differences in short periods of time, is very difficult to show on a flat surface of canvas or paper. However, through intellectual building of the full form of a painting and using the above mentioned artistic forms of expression which are presented in the article, the viewer can read the movement, emotions, mood and even changeability of a landscape.