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Piękno, oryginalność, kicz i estetyka drugiej kategorii w architekturze współczesnej

Tokajuk A.

Czasopismo Techniczne. Architektura

2007

R. 104, z. 6-A

438-442

In contemporary architecture we can distinguish a few aesthetics categories. The beauty is noticed rather as originality and - in spite of beauty and originality do not exclude each other, sometimes originality does not cause beauty feeling. Original forms are created mainly thanks to sophisticated methods of design used by some architects. Looking for extremely interesting form is the reason that form is so important now. Kitsch as the aesthetic category is also interesting, especially considered in the context of selfconscious kitsch (camp). Second category aesthetics exists in housing - it means type of habitat and buildings repeated in a global scale. Finally we can conclude, that beauty and originality in architecture depend on architect's knowledge, ideas put in the projects and the level of investor's aesthetics.

Kicz - współczesny azyl piękna

Żuk P.

Czasopismo Techniczne. Architektura

2007

R. 104, z. 6-A

493-495

Nowadays it is out of date to create easily beautiful architecture. The beauty is superfluous. The beauty should be discreet. The daub is a contemporary asylum for beauty. When we call something the daub - we can use as much beauty as we want. The daub may be beautiful.

Kicz i kamp, jako ponowoczesne kategorie przetworzonego piękna, czyli refleksje o Licheniu

Malinowska-Petelenz B., Petelenz A.

Czasopismo Techniczne. Architektura

2007

R. 104, z. 6-A

327-331

The text contains of the contemplations about kitsch and camp, as characteristic aesthetic categories of the contemporary popular culture. Authors consider the Licheń church, criticized by the architects and loved by plenty of prayers, as an example of one of those aesthetics.

Architektura i kicz

Marciniak P.

Czasopismo Techniczne. Architektura

2003

R. 100, z. 8-A

230--235

The work analyses the relations between architecture and kitsch which is a living aesthetical phenomenon that is usually discretely not commented on. Kitsch is mostly apparent in visual art and often in architecture. Although it stems from bourgeoisie culture it is nourished by all types of human activity. The article studies the essence of kitsch as well as its position in architecture and city planning and the role it fulfils.