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1 2011

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Secesyjne dekoracje roślinne w architekturze Rzeszowa

Konieczna K., Krupa B.

Architektura Krajobrazu

2011

nr 3

67--72

The theme of flowers and decoration plants was characteristic for Art Nouveau. The worship of the floral ornamentation was so significant for the secession, that in some European countries, this style was directly identified with floristry, as evidenced by its name, such as Stile Floreale (Italy), the Floral Style (England), das florae Erlebnis (Germany). In Poland, the architecture of the late nineteenth and early twentieth century, most stood out in the big cities such as Wrocław, Gorzów, Poznań, Warsaw, Łódź, and the cities of Galicia - Cracow, Przemyśl, Tarnów or in Nowy Sącz, where it has been well documented and discussed in the scientific literature. The architecture of Rzeszów of the Galician autonomy period, compared to other major cities presents rather poorly. In Rzeszów, long remained a classical style and "rustic" building, and the rising buildings were characterized by modest and historicizing ornamentation. Only the first decade of the twentieth century brought new architectural solutions that have influenced contemporary Kraków, and what bothered inter alia the Lvov environment. The rising in Galicia architectural buildings were often kept in the spirit of bygone eras, and the art nouveau features as a new trend, were scratched only as details. The origins of the Rzeszów secession should be sought in the building project Stryjeński's Thaddeus, built in the years 1900-1901, in which the District Council hada seat, located at ul. Sokoła 13 (now Library). The modern forms have introduced architects such as: T. Hoffman, MT Tekielski, J. Peros, representatives of the family Holzer, P. Emilewicz. The last author can be regarded as the most creative and innovative architect of the period. The buildings emerging after 1905 in Rzeszów, bearing with the protrusions, turrets, geometric details and floral ornaments were treated by some authors as a romantic. It should be noted that the shape of the Galician Art Nouveau was influenced ful ly by the variety of Viennese Secession. Until modern times, few buildings have survived, some were destroyed or converted. An example might be a project, a non-existent, Art Nouveau house at ul. Kraszewski 558/3, by P. Emilewicz. To the architectural works of Rzeszów, which contain floral motifs can be included, among others: tenement of family Różycki, building development at pl. Sreniawitów, vii la at ul. Szopena 57.