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1 Zeszyty Naukowe Politechniki Poznańskiej. Architektura i Urbanistyka

1 2012

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Grupa 1. Koncepcja rewitalizacji dzielnicy Valle Giulia w Rzymie

Kryszczyńska A., Mor T., Majcher A., Bove F., Angelici C., Nadolny A., Bertoni L.

Zeszyty Naukowe Politechniki Poznańskiej. Architektura i Urbanistyka

2012

Z. 27

53--58

Tematem opracowania jest dzielnica Valle Giulia znajdująca się na północ od śródmieścia Rzymu. Głównym celem było zaprojektowanie „miejsca", które miałoby stać się czytelnym znakiem w tej części miasta. Zadanie okazało się niezwykle trudne, biorąc pod uwagę nie tylko wstępny rekonesans zastanej przestrzeni, ale również konfrontację „polskiej szkoły architektury" ze szkołą „rzymską".

Valle Giulia is a district situated in the North of Rome, right next to well-known Villa Borghese. The district consists of many cultural buildings like National Gallery of Modern Art, Etruscans Museum or Academies - Foreign Institutes in Rome from United Kingdom, Belgium, and Netherlands etc. Another advantage of Valle Giulia is unbelievable, let's say, the one of a kind landscape. At first sight the district seems to be sustainable part of structure as Rome is. Unfortunately, especially during the evening and night, there are a lot of sociological problems like drug addicts and prostitution. As far as we are concerned that district is supposed to function in a different way. It should accomplish mechanism of typical Italian public space. That's why we decided to provide to Valle Giulia that, what make the people - tourists, citizens feel comfortable and happy. The answer is public square with extraordinary type of fountain as exhibition pavilion. We believe that this element in whole urban structure could the pretext to cause better social mechanisms. Attractive space needs to have some kind of "catchy product" to be enough interesting for potential "catch basin" -users. We think that Waterfall Exhibition Pavilion with lists of other performances and events could be the good beginning of changes in this area. The Hanging Bridge of Art is the second part of project. We designed it to make the circulation, between Villa Borghese and northern part of Valle Giulia, more comfortable. But the bridge is not only to transfer people from one side to another. It is supposed to be an invitation to National Gallery because it has platforms along path where some of the museum's stuff may be exhibited. The main assumption was to put into Valle Giulia suggestive landscaping architecture to make that area more visible on the map of Eternal City. We believe that our purpose was successfully reached.