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EN
The Maya Blue is a famous blue pigment developed by pre-Columbian civilizations of Mesoamerica and manufactured there for about thousand years. It was applied for body decoration, important for cruel religious rituals, as well as for artistic paintings, murals, or coloration of ceramics. Its production was abandoned in XVII century and the procedure forgotten. The chemical nature of this blue pigment remained a puzzle for a long time and only in nineteen sixties it was revealed [1, 2] that it is a composite consisting of inorganic matrix (palygorskite) that accommodates molecules of organic dye – indigo. The preparation procedure was rediscovered [3] and the products analogous to classical Maya Blue could be obtained by simple thermal insertion of indigo into palygorskite (and also into sepiolite). However, the nature of chemical interaction between dye and matrix that provides very high resistibility of resulting pigments remains still not satisfactorily explained. The hydrogen bonds or coordinative interaction with matrix cations are taken into an account. Zeolites and other molecular sieves can be efficiently applied as matrices for pigments similar to Maya Blue. The coloration and other properties of pigments can be considerably changed by initial modification of zeolites with various cations, what supports an important role of complexes formed by dye molecules and zeolite cations. On the other hand, the zeolite-like materials AlPO4 as well as to some extent mesoporous silica (with some contribution of micropores) lacking any cations are also efficient matrices for pigments analogous to Maya Blue. Not only indigo, but also indigo derivatives (leucoindigo, thioindigo, indigo carmine) could be embedded inside the molecular sieves. The thermal insertion as well as crystallization of zeolites from gels supplemented with respective dye can be used for pigment synthesis. It is interesting that role of matrix can be also played by representative of novel MOF family of the molecular sieves.
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