This article is focused on considerations of taxonomic methodology of traditional historical design, and is a development of the article entitled "The geometry of domes." A basic parameter referred to in the analysis is the criterion of geometric complexity. On this basis every object was analyzed and classified according to the adopted category. The dimensions and construction material were also given. The practical use of the proposed method is illustrated in examples by the outstanding works of architecture such as: the Church of Santa Maria degli Angeli in Florence, the chapel of San Pietro in Montorio Basilica of St. Peter in Rome, the Church of Santa Maria della Consolazione at Todi, Il Redentore in Venice, Church of s. Ivo in Rome. Those selected objects are European provenience and come from the Renaissance and Baroque. According to the above parameters the table in which the individual structures were systematized was created. It aims to compare the changes taking place in the field of geometry, size and the way of constructing the objects. Analysis, which were made, lead to the obvious conclusion that each following geometric solution are is based on the existing achievements.
This article is focused on design of traditional historical domes. Outstanding works of architecture such as: the dome of Hagia Sophia, dome of the dome of the rock mosque, the dome of Florence Cathedral, the dome of Basil's Cathedral in Moscow, as well as less famous – Greek-Catholic Church of St. Michael the Archangel in Krowica Sama have been analyzed. According to the criterion of geometrical complexity we created the table in which the individual structures were systematized. The table also includes information on historical period, building materials, technology and dimensions for all examples. The paper aims to summarize the changes that took place in terms of how to construct and demonstrate the appropriateness of use of this type of solution, which led to the conclusion that each of new solutions is based on already existing one.
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