Silk sericin protein is a natural high-molecular-weight compound that contains eighteen types of amino acids. It is non-toxic, biodegradable, and biocompatible, with simple preparation methods and low cost. It finds widespread application in functional clothing, medical and pharmaceutical fields, tissue engineering, and more. Nano-titanium dioxide, on the other hand, possesses non-toxic, self-cleaning, antibacterial, and deodorizing properties. To develop multifunctional textiles with deodorization, UV protection, and good thermal and mechanical properties, this study utilized a compounding method to modify citric acid-pretreated cotton fabrics through a two-dipping and two-padding process using a blend finishing solution of silk sericin protein and nano-titanium dioxide. Observations of the microstructure before and after fabric finishing, along with evaluations of deodorization, UV protection, and thermal properties, revealed that controlling the proportion of the silk sericin protein/nano-titanium dioxide blend finishing solution can result in a smooth surface of the modified cotton fabric. This modification not only enhances the fabric’s UV protection and tensile strength but also improves its thermal properties while imparting certain deodorization capabilities. Comprehensive analysis concludes that using silk sericin protein and nano-titanium dioxide for modifying cotton fabric to prepare multifunctional textiles with deodorization, UV protection, and good thermal and mechanical performance is feasibly viable.
In this study, from the perspective of Hanfu elements, the evolution and innovative design of cloud shoulder adornments in the Ming and Qing dynasties were systematically examined. Through methods such as literature research, data collection, and practical research, the origins, development, and their association with the historical and cultural context were revealed. The study found that the cloud shoulder adornments in the Ming and Qing dynasties underwent a process of evolution from simplicity to complexity and from uniformity to diversity in terms of design and patterns. These changes reflected the shifting aesthetic concepts of the time and the pursuit of clothing aesthetics, enriching the design elements and aesthetic connotations of cloud shoulder adornments. The findings of this research provide inspiration for modern designers to create Hanfu works with distinctive characteristics and individuality. The significance of this study lies in uncovering the evolutionary process and design features of cloud shoulder adornments in the Ming and Qing dynasties, offering important references and inspirations for related research and creative endeavors. By integrating traditional elements with modern design concepts, we can promote the inheritance and development of Chinese traditional culture, as well as the dissemination and application of Hanfu in contemporary times. This holds positive implications for the revival of Hanfu culture and the preservation of traditional heritage.
Tea polyphenols are one of the primary components of tea leaves and possess various beneficial effects, including radiation resistance, detoxification, antioxidation, antibacterial properties, anti-aging effects, digestive support, anti-cancer properties, and immune system enhancement. This study focuses on utilizing tea polyphenols for the functional finishing of chitosan-modified cotton fabrics, with the aim of developing an environmentally friendly and efficient green functional finishing process. The analysis reveals that the optimal dyeing parameters for cotton fabrics modified with chitosan and using a mass fraction concentration of 3% tea polyphenols are as follows: a pH value of 7, temperature of 50°C, dyeing time of 60 minutes, and a tea polyphenol o.w.f concentration exceeding 6%. Under these processing conditions, the chitosan-modified cotton fabrics demonstrate excellent colorfastness to sunlight, water, and friction, all exceeding grade 4. Furthermore, they exhibit good antibacterial properties, UV protection, and odor resistance, making them highly practical.
This study investigates the living conditions of elderly individuals with urinary incontinence and their usage of related products to assess their actual needs, including comfort, convenience, and affordability. Based on these findings, innovative design work was conducted, involving structural design, fabric preparation, and process selection. Ultimately, through product performance evaluation and refinement, the design requirements for comfort, convenience, and affordability were achieved. This research holds significant importance in addressing urinary incontinence issues among the elderly and can be applicable to individuals with restricted access to toilets or those engaged in prolonged activities. Furthermore, the study provides a valuable reference for designing and developing functional garments that cater to practical needs. With further production and market promotion, this research outcome is expected to yield greater value and impact on a larger scale.
This research aims to undertake a comprehensive analysis of Li ethnic clothing rooted in five major dialects and investigates its relevance in modern fashion design. With the progression of contemporary society, traditional Li ethnic attire has progressively lost societal attention, resulting in fewer individuals proactively engaging with it. However, can infusing the distinctive features of Li ethnic clothing from these five major dialects into contemporary fashion design rekindle an allure for this heritage? Through diverse channels and approaches, this study endeavors to address this inquiry and illuminate often-overlooked facets. By judiciously melding traditional Li ethnic clothing with contemporary fashion design, we can attain objectives that are more rational, meaningful, and valuable.
This study utilized SEM to examine the fiber structure of cotton stock fabrics and tested their durability based on ISO standards. Two types of cotton stock fabrics were evaluated: natural-colored (162 cm width, 120.8 g/m2 weight, 281/10 in × 252/10 in density) and black-colored (157 cm width, 136.1 g/m2 weight, 482/10 in × 210/10 in density). Prolonged water immersion caused surface yarns to loosen, fibers to expand, and the cross-sectional area to increase. Residual pulp and impurities on the fabric adhered to fibers. After 27 days, fiber looseness peaked, leading to complete breakdown after 30 days. Natural-colored fabric experienced significant weft strength loss within 12 days, while black fabric showed slightly higher weft strength loss after 36 days. Color changes were prominent in natural-colored fabric during the initial 21 days, while black fabric displayed noticeable changes after 12 days of immersion.
This study aims to investigate the influence of tie-dye techniques on the durability and aesthetic appeal of textiles. To address the issues of textile damage and visual aesthetics during usage, researchers conducted comparative experiments using five tie-dye fabric techniques and a wax-resist technique. The experimental results revealed that textiles processed through the folding and clamping dye method exhibited notable resistance to breakage in terms of durability. Textiles treated with the stitch and bind dye method demonstrated significant advantages over other processing methods in terms of colorfastness, fabric luster, and visual attractiveness. The study findings indicate a positive impact of tie-dye techniques on the durability and aesthetic appeal of textiles. By employing tie-dye techniques, the durability of the textiles remained uncompromised while enhancing their aesthetic appeal. This technique is suitable for everyday use, and it also improves the visual quality of textiles, making them more competitive in the market. Therefore, tie-dye techniques offer an effective and promising improvement method for the textile industry, with wide potential applications in practical production.
The research primarily aimed to observe the fibre structure of cotton stock fabric through a scanning electron microscope (SEM). Then, textile durability, appearance, and comfort were tested in line with the international standards organization’s (ISO) guidelines. For this, the storage time and a series of performance indicators including breaking strength, tensile strength, colour fastness to soap washing, colour fastness to dry rubbing as well as wet rubbing were evaluated, tested and analysed. Finally, through statistically analysing the data obtained, the limit value of the physical performance index and storage time of the fabrics were acquired, and further forming of the upcycling standards of cotton stock fabric. In this study, two cotton fabrics were selected, namely, natural-coloured cotton fabric (width 162 cm, weight 120.8 g/dm2, density 281 / 10 cm × 252 / 10 cm) and black-coloured cotton fabric (width 157 cm, weight 136.1 g/dm2, density 482 / 10 cm × 210 / 10 cm). The research experiments showed that when cotton stock fabrics were stored in a natural environment (temperature 20℃, humidity 65%), as the storage time increased, the surface yarns gradually began to loosen, with some loose yarns appearing on the surface. After 90 days the loosening intensified, and after 270 days the yarn looseness was obvious. After 330 days, a break in the fibrous structure on the surface of the natural-coloured cotton stock fabric could be observed. When natural-coloured cotton stock fabric was stored in a natural environment for 360 days, it lost 4.4% of its warp-breaking strength and 12.56% of its weft-breaking strength. For black cotton stock fabric, the figures were 5.66% and 20.54% for the warp-breaking and weft-breaking strength, respectively.
Origami has various manifestations and rich production techniques, and it is regarded as one of the indispensable contemporary art forms. In order to enrich the creative expressions of fashion design, this paper summarises the creative application forms of origami art in fashion design from the external and moulding characteristics of origami, studies the fabric characteristics through experimental verification, and summarises the applicable techniques of expression. The results show that the folding application forms of origami art and clothing modelling can be realised by using the expression methods of ironing and crimping, stitching texture moulding and repeated combination moulding, that is, pattern deformation folding application, fabric transformation folding application and modular combination folding application. The application of the folding form in clothing three-dimensional modeling and surface texture can give full play to the unique modelling beauty and artistic style of origami art and provide a reference for creative ideas in clothing design.
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