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Tytuł artykułu

Effect of Bass Bar Tension on Modal Parameters of a Violin’s Top Plate

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Experimental modal analysis of a violin with three different tensions of a bass bar has been performed. The bass bar tension is the only intentionally introduced modification of the instrument. The aim of the study was to find differences and similarities between top plate modal parameters determined by a bass bar perfectly fitting the shape of the top plate, the bass bar with a tension usually applied by luthiers (normal), and the tension higher than the normal value. In the modal analysis four signature modes are taken into account. Bass bar tension does not change the sequence of mode shapes. Changes in modal damping are insignificant. An increase in bass bar tension causes an increase in modal frequencies A0 and B(1+) and does not change the frequencies of modes CBR and B(1−).
Słowa kluczowe
Rocznik
Strony
145--149
Opis fizyczny
Bibliogr. 22 poz., rys., tab.
Twórcy
  • Institute of Acoustics, Adam Mickiewicz University Umultowska 85, 61-614 Poznań, Poland
  • Faculty of String Instruments, Harp, Guitar, and Luthiery, I.J. Paderewski Academy of Music Św. Marcin 87, 61-808 Poznań, Poland
autor
  • Institute of Experimental Physics, University of Gdańsk Wita Stwosza 57, 80-952 Gdańsk, Poland
autor
  • Faculty of String Instruments, Harp, Guitar, and Luthiery, I.J. Paderewski Academy of Music Św. Marcin 87, 61-808 Poznań, Poland
Bibliografia
  • 1. BlSSlNGER G. (1995), Some mechanical and acoustical consequences of the violin soundpost, J. Acoust. Soc. Am., 97, 3154-3164.
  • 2. BlSSlNGER G. (2003), Modal analysis of a violin octet, J. Acoust. Soc. Am., 113, 2105-2113.
  • 3. BlSSlNGER G. (2006), The violin bridge as filter, J. Acoust. Soc. Am., 120, 1, 482-491.
  • 4. BlSSlNGER G. (2008), Structural acoustics of good and bad violins, J. Acoust. Soc. Am., 124, 3, 1764-1773.
  • 5. BlSSlNGER G., KEIFFER J. (2003), Radiation damping, efficiency, and directivity for violin normal modes below 4 kHz, Acoust. Res. Lett. Online, 4, 1, 7-12.
  • 6. CREMER L. (1984), The physics of the violin, MIT Press, Cambridge, MA.
  • 7. DUNNWALD H. (1999), Deduction of objective quality parameters on. old and new violins, Catgut Acoust. Soc. J., II 1, 1-5.
  • 8. EWINS D.J. (1995), Modal Testing: Theory and Practice, Research Studies Press Ltd., Taunton, Somerset, England.
  • 9. FLETCHER N.H., ROSSING T.D. (2010), The Physics of Musical Instruments, 2nd ed., Springer Science+Business Media, Inc., New York.
  • 10. FRITZ C., CROSS I., MOORE B.C.J., WOODHOUSE J. (2007), Perceptual thresholds for detecting modification applied to the acoustic properties of a violin, J. Acoust. Soc. Am., 122, 6, 3640-3650.
  • 11. MARSHALL K.D. (1985), Modal analysis of a violin, J. Acoust. Soc. Am., 77, 695-709.
  • 12. MEINEL H. (1937), On the frequency curves of violin, Akust. Z., 2, 22-33.
  • 13. ROSSING T.D. (2007), Springer Handbook of Acoustics, Springer+Business Media, Inc., New York.
  • 14. RUNNEMALM A., MOLIN N.-E., JANSSON E. (2000), On operating deflection shapes of the violin body including in-plane motions, J. Acoust. Soc. Am., 107, 6, 3452-3459.
  • 15. SALDNER H.O., MOLIN N.E., JANSSON E.V. (1996), Vibration modes of the violin forced via the bridge and action of the soundpost, J. Acoust. Soc. Am., 100, 1168-1177.
  • 16. SCHLESKE M. (2002), Empirical tools in contemporary violin making. 1. Analysis of design, materials, varnish and normal modes, Catgut Acoust. Soc. J., 4, 50-65.
  • 17. SKRODZKA E., KRUPA A., ROSENFELD E., LINDE B.B.J. (2009), Mechanical and optical investigation of dynamic behavior of violins in modal frequencies, Appl. Opt., 48, C165-170.
  • 18. SKRODZKA E.B., LINDE B.B. J., KRUPA A. (2013), Modal parameters of two violins with different varnish layers and subjective evaluation of their sound quality, Arch. Acoust., 38, 1, 75-81.
  • 19. SKRODZKA E., ŁAPA A., GORDZIEJ M. (2005), Modal and spectral frequencies of guitars with differently angled necks, Arch. Acoust., 30, 4, 197-201.
  • 20. SKRODZKA E., ŁAPA A., LINDE B.B.J., ROSENFELD E. (2011), Modal parameters of two incomplete and complete guitars differing in the bracing pattern of the soundboard, J. Acoust. Soc. Am., 130, 4, 2186- 2194.
  • 21. SKRODZKA E.B., SĘK A. (1998), Vibration patterns of the front panel of the loudspeaker system.: measurement conditions and results, J. Acoust. Soc. Jap. (E), 19, 4, 249-257.
  • 22. WEINREICH G., HOLMES C., MELLODY M. (2000), Air-wood coupling and Swiss-cheese violin, J. Acoust. Soc. Am., 108, 2389-2402.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-fb336420-c305-4e6a-9bb1-e8ad205c0c6a
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