Cultural Interaction: The Transformation of Textile design for Traditional Cheongsam in the Republic of China

• Autorzy: Zhang Jingnan , Zhang Yi , Cui Rongrong

Identyfikatory

DOI

10.2478/ftee-2022-0049

• Języki publikacji: EN

Abstrakty

EN

This paper aims to discuss the artistic characteristics of traditional cheongsam and the transformation that has taken place in cheongsam textile design in the Republic of China. By analysing a collection consisting of 259 traditional cheongsam material samples in various museums such as the China Silk Archives in Suzhou, we explored the transformation of cheongsam textile design during the Republic of China from the perspective of Eastern and Western art cultural exchanges and explored the spread of Western artistic thought in China. Our search shows that, firstly, with the development of industrialization, the traditional cheongsam textile business absorbed new design concepts; secondly, in terms of material selection and pattern style, it widened the range of fabrics used and broke the monotony of traditional Chinese patterns. Moreover, it reduced connotations of social class implied by traditional textile design. Finally, these textile designs reflect the progress that has been made in the development of this artistic trend and the cultural fusion of Eastern and Western arts during the Republic of China.

Słowa kluczowe

EN

textile design; cheongsam pattern; cultural exchange

• Wydawca: Sieć Badawcza Łukasiewicz - Łódzki Instytut Technologiczny
• Czasopismo: Fibres & Textiles in Eastern Europe
• Rocznik: 2022
• Tom: Vol. 30, no. 6
• Strony: 19--26
• Opis fizyczny: Bibliogr. 11 poz., rys., tab.

Twórcy

autor

Zhang Jingnan

• School of Design, Jiangnan University, Wuxi, China, 214122

autor

Zhang Yi

• School of Design, Jiangnan University, Wuxi, China, 214122

autor

Cui Rongrong

• School of Fashion Design & Engineering, Zhejiang Sci-Tech University, Hangzhou, China, 11199

Bibliografia

• 1. Li Jida. Flexibility and nature - decorative art of Alfons Musha [J]. Hunan packaging, 2019, 000 (003): 72-75
• 2. E. H. Gombrich. Sense of order: psychological research on decorative art [M]. Guangxi Art Press, 2015
• 3. Stephen Escalet, Liu Huining. New art movement [J]. Contemporary artists, 2019 (4)
• 4. Owen Jones. Classic Atlas of world decoration [M]. Shanghai People’s Art Publishing House, 2004
• 5. E. H. Gombrich. Sense of order: psychological research on decorative art [M]. Guangxi Art Press, 2015
• 6. Ju Fei. Research on textile and garment industrialization and modern design in Shanghai during the concession period [D]. Nanjing Institute of art, 2020
• 7. Wen Run, Shi Lin. On silk patterns of the Republic of China under the reform of women’s clothing [J]. Silk, 2014,51 (11): 73-78
• 8. Jin. Production table of Meiya silk factory [J]. Meiya journal, 1928,
• 9. Chen Ruilin. A brief discussion on Chinese decorative art in the 20th century [J]. Journal of Tsinghua University (PHILOSOPHY AND SOCIAL SCIENCES EDITION), 2001, 016 (004): 72-85
• 10. Zeng Xiaoying. Analysis of cheongsam patterns in the Republic of China under the influence of decorative art [J]. Modern decoration (Theory), 2015 (08): 213-214
• 11. Xu Bin, Wen run. On the decorative art of silk cheongsam patterns in the Republic of China [J]. Silk, 2020, 57 (1)

Uwagi

Opracowanie rekordu ze środków MEiN, umowa nr SONP/SP/546092/2022 w ramach programu "Społeczna odpowiedzialność nauki" - moduł: Popularyzacja nauki i promocja sportu (2022-2023).