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Facilities for Music Education and Their Acoustical Design

Treść / Zawartość
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Good rehearsal facilities for musicians are essential. Directive 2003/10/EC necessitates that musicians are protected from noise exposure. A code of conduct gives the guidelines how this should be done. This study examines room acoustics recommendations provided by the Finnish code of conduct, and discusses whether they are adequate. Small teaching facilities were measured after renovation and compared to earlier measurements. Teachers’ opinions were inquired about the facilities before and after. The renovation did not decrease the noise exposure of the teachers. However, the majority preferred the facilities after the renovation. The Finnish code of conduct is not sufficient for facilities where loud instruments are played, or band practise. Good facilities can be designed but they must be specified at the designing stage for their intended use.
Rocznik
Strony
93--104
Opis fizyczny
Bibliogr. 25 poz., rys., tab.
Twórcy
autor
  • Helimaki Acoustics, Helsinki, Finland
autor
  • Finnish Institute of Occupational Health (FIOH), Helsinki, Finland
autor
  • Finnish Institute of Occupational Health (FIOH), Helsinki, Finland
Bibliografia
  • 1.European Union. Directive 2003/10/EC of the European Parliament and of the Council of 6 February 2003 on the minimum health and safety requirements regarding the exposure of workers to the risks arising from physical agents (noise). OJ. 2003;L42:38–44. Retrieved December 15, 2009, from: http://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=OJ:L:2003:042:0038:0044:EN:PDF.
  • 2.Code of conduct for music and entertainment sector; 2006. Retrieved December 15, 2009, from: http://fi.osha.europa.eu/good_practice/ohjeet/meluntorjuntaohje.pdf. In Finnish.
  • 3.Toppila E, Starck J, Kyttala I. Implementation of the noise directive in the entertainment sector in Finland [abstract]. Acta Acustica united with Acustica. 2006;92 Suppl 1:S43.
  • 4.Finnish Standards Association (FSA). Acoustic classification of spaces in buildings (Standard No. SFS 5907:2004). Helsinki, Finland: FSA; 2004. In Finnish.
  • 5.Laitinen H. Factors affecting the use of hearing protection among classical music players. Noise Health. 2005;7:21–9.
  • 6.European Agency for Safety and Health at Work. Reducing the risks from occupational noise. Luxembourg: Office for Official Publications of the European Communities; 2005. Retrieved December 15, 2009, from: http://osha.europa.eu/en/publications/reports/6805535.
  • 7.Augustyńska D, Buffet MA, Karjalainen K, Kuhl K, Młyński R, Toppila E, Żera J. TCWE Task 3.2.2 Report, Noise in the entertainment sector version 5.0 final. European Agency for Safety and Health at Work. In press.
  • 8.Kahari K, Zachau G, Eklof M, Sandsjo L, Moller C. Assessment of hearing and hearing disorders in rock/jazz musicians. Int J Audiol. 2003;42:279–88.
  • 9.Laitinen H, Poulsen T. Questionnaire investigation of musicians’ use of hearing protectors, self reported hearing disorders, and their experience of their working environment. Int J Audiol. 2008;47:160–8.
  • 10.Kemp W. Music education suites. Washington DC, USA: National Clearinghouse for Educational Facilities; 2000.
  • 11.Mehta M, Johnson J, Rocafort J. Architectural acoustics: principles and design. Upper Saddle River, NJ, USA: Prentice-Hall; 1999.
  • 12.Wenger Corporation. Planning guide for music facilities. Version 3.0. Owatonna, MN, USA: Wenger; 2006. Retrieved December 15, 2009, from: http://www.wengercorp.com/images/lit/lit/Wenger%20Planning%20Guide.pdf .
  • 13.Lane RN, Mikeska EE. Study of acoustical requirements for teaching studios and practise rooms in music school buildings. J Acoust Soc Am. 1955;27(6):1087–91.
  • 14.Knudsen VO, Harris CM. Acoustical designing in architecture. New York, NY, USA: Acoustical Society of America; 1978.
  • 15.Teuber W, Voelker E-J. Acoustical requirements and results for music rehearsal rooms (Paper No. 3549). In: The 94th Audio Engineering Society (AES) Convention. Berlin, Germany: AES; 1993.
  • 16.Early KL, Horstman SW. Noise exposure to musicians during practice. Appl Occup Environ Hyg. 1996;11:1149–53.
  • 17.Harding RA, Owens DT. Sound pressure levels (dB) experienced by conductors in collegiate music rehearsal settings. In: Proceedings, Hawaii International Conference on Arts and Humanities; 2003. Retrieved December 15, 2009, from: http://www.hichumanities.org/AHproceedings/R%20A%20Harding%20&%20D%20T.%20Owens.pdf.
  • 18.Flottorp G. Music—a noise hazard? Acta Otolaryngol. 1973;75(4):345–7.
  • 19.Owens DT. Sound pressure levels experienced by the high school band director. Med Probl Perform Art. 2004;19(3):109–15.
  • 20.Pang-Ching GK. Hearing levels of secondary school band directors. J Aud Res. 1982; 22:284–8.
  • 21.Behar A, MacDonald E, Lee J, Cui J, Kunov H, Wong W. Noise exposure of music teachers. J Occup Environ Hyg. 2004;1:243–7.
  • 22.Chasin M. Musicians and the prevention of hearing loss. San Diego, CA, USA: Singular; 1996.
  • 23.Lokki T, Salmensaari O. Measurement report: Espoon Musiikkiopiston opetusluokat [Teaching facilities of Espoo music institute] (Report No: 71119-1). Helsinki, Finland: Akukon Oy; 2007.
  • 24.Kylliainen M, Hongisto V, Helimaki H. Rakennusten akustinen suunnittelu: oppilaitokset, auditoriot, liikuntatilat ja kirjastot [Acoustical design of buildings: schools, auditoriums, spaces for sports and libraries]. Helsinki, Finland: RIL Finnish Association of Civil Engineers; 2007.
  • 25.Mace ST. A descriptive analysis of university music performance teachers’ sound-level exposures during a typical day of teaching, performing, and rehearsing. In: Baroni M, Addessi AR, Caterina R, Costa M, editors. In: Proceedings of the 9th International Conference on Music Perception and Cognition. Bologna, Italy: ICMPC, ESCOM; 2006. p. 271–7.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-efb6c090-6977-4687-8de6-82a4bfbd7794
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