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The cello sound generation mechanism in vibroacoustic studies of the impact of the endpin material on the cello sound

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Języki publikacji
EN
Abstrakty
EN
The aim of the paper is to present the structure of the mechanism that excites the cello strings to vibrate, used in vibroacoustic research of the impact of the endpin material on the cello sound. The construction of the device is inspired by the hurdy-gurdy mechanism. In the acoustic study of string instruments, it is hard to take into account the human factor during the generation of sound. When playing an instrument, there is difficulty in obtaining repeatability of the generated sound, especially with a large number of repetitions. The presented device is particularly useful during vibroacoustic tests of bowed string instruments. It enables the generation of continuous sound and ensures the repeatability of excitation. In addition to the description of the construction of the mechanism, vibroacoustic tests related to the determination of the influence of the cello endpin material on its timbre were also presented. The impact of the endpin material on the cello sound was determined based on measurements as well as subjective impressions of the musicians.
Rocznik
Strony
art. no. 2023201
Opis fizyczny
Bibliogr. 11 poz., il. kolor., fot., rys., wykr.
Twórcy
  • AGH University of Krakow, al. A. Mickiewicza 30, 30-059 Kraków
autor
  • AGH University of Krakow, al. A. Mickiewicza 30, 30-059 Kraków
Bibliografia
  • 1. R. Stowell; The Cambridge Companion to the Cello; Cambridge University Press: Cambridge, USA, 1999; DOI: https://doi.org/10.1017/CCOL9780521621014
  • 2. S. Yoshikawa, M. Shinodukay, T. Senda; A comparison of string instruments based on wood properties: Biwa vs. cello; Acoust. Sci. & Tech. 2008, 29(1), 41-50; DOI: 10.1250/ast.29.41
  • 3. R. Sankaranarayanan, G. Weinberg; Design of Hathaani - A Robotic Violinist for Carnatic Music; Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME), Apr. 2021; DOI: https://doi.org/10.21428/92fbeb44.0ad83109
  • 4. A. Cronhjort; A computer-controlled bowing machine (MUMS); STL-QPSR, 1992, 33(2-3), 61-66
  • 5. M. Pamies-Vila, A. Scheiblauer, A. Mayer, V. Chatziioannou; A framework for the analysis of bowing actions with increased realisticness; Proceedings of the 24th International Conference on Acoustics, Gyeongju, Korea, Oct. 24-28, 2022
  • 6. R. Mores; Precise cello bowing pendulum; Proceedings of the 35th Third Vienna Talk on Music Acoustics, Vienna, Sept. 16-19, 2015
  • 7. T. Kamatani, Y. Sato, M. Fujino; Ghost Play - A Violin-Playing Robot using Electromagnetic Linear Actuators; International Conference on New Interfaces for Musical Expression NIME (2022); DOI: https://doi.org/10.21428/92fbeb44.754a50b5
  • 8. W. E. Braun; The evolution of the cello endpin and its effect on technique and repertoire; A doctoral document; Nebraska, 2015
  • 9. K. Yamauchi, Y. Kai, S. Iwamiya; The effects of materials of a flute’s crown and a cello’s endpin on the timbre of musical instruments; Acoustical Science and Technology, 2001, 22(1), 47-48; DOI:10.1250/ast.22.47
  • 10. J. J. Uicker, G. R. Pennock, J. E. Shigley; Theory of machines and mechanisms, 5th ed.; Oxford University Press, New York, 2017
  • 11. K. Siedenburg, Ch. Saitis, S. McAdams, A. N. Popper, R. R. Fay; Timbre: Acoustics, Perception, and Cognition, 1st ed.; Springer Handbook of Auditory Research Series, Vol. 69, Switzerland, 2019; DOI:10.1007/978-3-030-14832-4
Uwagi
Opracowanie rekordu ze środków MNiSW, umowa nr SONP/SP/546092/2022 w ramach programu "Społeczna odpowiedzialność nauki" - moduł: Popularyzacja nauki i promocja sportu (2024).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-ecf76b5e-6a8b-481b-896f-5aa99ba26a92
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