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Warianty tytułu
Języki publikacji
Abstrakty
Economised, thorough and skilful utilisation with the concept of cherishing things as its core thought is the basic design concept of traditional creation activities, implying profound philosophical thinking and life philosophy. This article, based on a theoretical interpretation of the traditional concept of cherishing things and combining methods including documents, material objects, manual restoration, etc., firstly expounds the influence and meaning of traditional Chinese folk textile mending in carrying out the concept of cherishing things in the contemporary era; secondly, it focuses on summarising the origin and development of the textile mending industry, pointing out the application prospects of hand darning techniques in nowadays market; and finally, via interpreting the comprehensive design of materials technology, pro-phase protection of preventive mending "smart creation" mode innovation of textiles, etc., this study specifically analyses the inheritance and innovation of folk textile mending techniques, so as to provide references for relevant industries and handicraft enthusiasts in the future.
Czasopismo
Rocznik
Strony
86--92
Opis fizyczny
Bibliogr. 19 poz., rys.
Twórcy
autor
- Jiangnan University, School of Design, 214122 Wuxi, China
autor
- Jiangnan University, School of Design, 214122 Wuxi, China
Bibliografia
- 1. Notes by Guo Xiang, Pronunciation And Explanation by Lu Deming. Chuang Tsu [M]. Shi De Tang edition, Ming Dynasty, 10: 110.
- 2. Bai Juyi. Bai Kong Liu Tie[M]. The Complete Library in the Four Branches of Literature edition, 100: 92.
- 3. Xie Jin. Biographies of Ancient and Present Women [M]. The Complete Library in the Four Branches of Literature edition, 3: 53.
- 4. An Hongli, Li Manyu, Chen Lingling, Zheng Wei, Yang Minghui and Liu Mengru. On the Mending Method of Holes in Knitted Garments [J]. Light and Textile Industry and Technology, 2020, 49 (09): 85-87.
- 5. Gao Yan. On the Preservative Restoration of the Textile Cultural Relics in Japan [J]. Relics and Museolgy, 2017 (01): 85-88.
- 6. Wang Shujuan. Methods of Using Silk Crepeline in the Conservation of Ancient Chinese Textiles [J]. Sciences of Conservation and Archaeology, 2016, 28 (02): 67-72.
- 7. Yuan Jinlong, Wang Yue, Qian Xin, Wu Huiyi and Wu Yan. Design Application of the Waste Old Jeans in Modern Cloth Art [J]. Journal of Clothing Research, 2020, 5 (04): 316.
- 8. Zhao Jiaqin. Interpretation of Japanese traditional Boro craft [J]. Journal of Folk Art, 2021 (02): 112.
- 9. Chen Li. The Durability Design of Modern Commodity Under The Traditional Concept of "XIWU" [J]. Design,2017 (11): 118-119.
- 10. Yuan Dynasty] Kong Qi. Jingzhai Zhizheng Zhiji [M]. The Mao Manuscript, Qing Dynasty, 4: 68.
- 11. Cheng Shanqing. Historical Records under the Heavenly Bridge [M]. Beijing: Joint Publishing Press, 1997: 107, 406.
- 12. Xu Jia. Knitting and Needle s [J]. Art Research, 2017 (01): 119.
- 13. Jiang Shiquan. Zhong Ya Tang Collected Works [M]. Block-printed edition of Cangyuan, the 21st Year of Jiaqing Regime, Qing Dynasty, 30: 126.
- 14. Xu Guohua. Being Upright Regarding Loyalty and Filial Piety, Being Happy to Die as a Good Official – On the "Loyalty and Filial Piety" Awareness and "Good Official" Complex in Jiang Shiquan’s Poems [J]. Social Sciences in Ningxia, 2008 (02): 167.
- 15. Wei Xiaojun. On the Rebirth and Development of Traditional Costumes Handicraft [D]. Soochow University, 2005:10.
- 16. Cao Xueqin and Gao E. The Dream of Red Mansion [M]. Foshan: South Sea International News Publishing Center, 1993: 236.
- 17. Wei Qian and Ouyang Xuefen. The Unique Performance of Fiber Materials in Ancient Ceramic Restoration [J]. Art&Design, 2019 (01): 140-141.
- 18. Yin Jie. Application Research of Gold Restoration Process in Ceramic Art Design [D]. South China University of Technology, 2018:32.
- 19. Liao Ruhan. The Changes of Patch Forms and the Birth of Fashion Meaning [J]. Tianfu New Idea, 2017 (06): 126.
Typ dokumentu
Bibliografia
Identyfikator YADDA
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