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Acoustics of Orthodox Churches in Poland

Treść / Zawartość
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
An Orthodox church as a building expresses the Eastern Orthodox spirituality – all the details and general aspects have a deep and philosophical meaning. The architecture, being an illustration of the character of the Orthodox Church liturgy, has become a natural component of the cultural landscape of Poland and Eastern Europe. Acoustic research into Orthodox churches has so far been marginalized. Up to now, only a few churches of this type have been studied. The article is a review of the acoustic environment of churches in Poland. Churches, differing in terms of size, architectural style and other quantities, were chosen and acoustic measurements were made. The results of the measurements have been analyzed and collated. In particular, a detailed analysis and comparison was made for reverberation time as a function of frequency, due to the largest differences in this parameter between the rooms.
Słowa kluczowe
Rocznik
Strony
579--590
Opis fizyczny
Bibliogr. 34 poz., fot., rys., tab., wykr.
Twórcy
autor
  • Department of Mechanics and Vibroacoustics, AGH University of Science and Technology, Al. A. Mickiewicza 30, 30-059 Kraków, Poland
autor
  • Department of Mechanics and Vibroacoustics, AGH University of Science and Technology, Al. A. Mickiewicza 30, 30-059 Kraków, Poland
autor
  • Institute of History, University of Rzeszów, Al. Rejtana 16C, 35-310 Rzeszów, Poland
Bibliografia
  • 1. Álvarez-Morales L., Girón S., Galindo M., Zamarreño T. (2016), Acoustic environment of Andalusian cathedrals, Building and Environment, 103, 182-192.
  • 2. Álvarez-Morales L., Martellotta F. (2015), A geometrical acoustic simulation of the effect of occupancy and source position in historical churches, Applied Acoustics, 91, 47-58.
  • 3. Álvarez-Morales L., Zamarreño T., Girón S., Galindo M. (2014), A methodology for the study of the acoustic environment of Catholic cathedrals: Application to the Cathedral of Malaga, Building and Environment, 72, 102-115.
  • 4. Barron M. (2010), Auditorium acoustics and architectural design, Spon Press, New York.
  • 5. Brykowski R. (1986), Lemko style wooden Orthodox church architecture in Poland, Slovakia and Carpathian Ruthenia [in Polish], Ossolineum, Wrocław.
  • 6. Brykowski R. (1995),Wooden Orthodox church architecture [in Polish], Towarzystwo Opieki nad Zabytkami, Warszawa.
  • 7. Carvalho A. P., Morgado A. E. (1997), Relationships between speech intelligibility and objective acoustical parameters for architectural features in Catholic churches, Journal of Acoustical Society of America, 101, 3051-3052.
  • 8. Cynalewska-Kuczma P. (2004), Orthodox church architecture in the Polish Kingdom as an integrity tool with the Russian Empire [in Polish], Uniwersytet A. Mickiewicza, Poznań.
  • 9. Dmitruk S. (2008), About Tomaszów parish [in Polish], Przegląd Prawosławny, 2.
  • 10. Elicio L., Martellotta F. (2015), Acoustics as a cultural heritage: the case of Orthodox churches and of the “Russian church” in Bari, Journal of Cultural Heritage, 16, 912-917, doi: 10.1016/j.culher.2015.02.001.
  • 11. Engel Z., Kosała K., Sadowski J. (2007), Fundamentals of sacred building acoustics [in Polish], PiB, Kraków-Radom.
  • 12. Galindo M., Zamarreño T., Girón S. (2000), Speech intelligibility in Mudejar-Gothic churches, Acta Acustica united with Acustica, 86, 381-384.
  • 13. Hyde R. J. (1994), Development of modern room acoustic parameters from Sabine’s reverberation theory. The role of acoustical measurement in design criteria for auditoria, Proceedings of Wallace Clement Sabine Centennial Symposium, Massachusetts.
  • 14. ISO 3382-1 (2009), Acoustics – Measurement of the Reverberation Time of Rooms with Reference to other Acoustical Parameters, ISO, Geneva.
  • 15. Kołbuk W. (1998), Eastern churches in Poland around 1772 [in Polish], Instytut Europy Środkowo-Wschodniej, Lublin.
  • 16. Kosała K. (2016), Calculation models for acoustic analysis of St. Elizabeth of Hungary Church in Jaworzno Szczakowa, Archives of Acoustics, 41, 3, 485-498, doi: 10.1515/aoa-2016-0047.
  • 17. Kosała K., Engel Z. W. (2013), Assessing the acoustic properties of Roman Catholic churches: A new approach, Applied Acoustics 74, 1144-1152.
  • 18. Krasny P. (2003), Orthodox church architecture on Ruthenian lands [in Polish], Universitas, Kraków.
  • 19. Kulowski A. (2011), Acoustics of halls. Design recommendation for architects. Wydawnictwo Politechniki Gdańskiej, Gdańsk.
  • 20. Lubman D., Wetherill E. (1985), Acoustics of worship spaces, American Institute of Physics, New York.
  • 21. Małecki P., Wiciak J. (2011), Acoustic parameters of chosen orthodox churches overview and preliminary psychoacoustic tests using choral music, Proceedings of 130th AES Convention, London, UK.
  • 22. Małecki P., Zastawnik M., Wiciak J., Kamisiński T. (2011), The influence of the measurement chain on the impulse response of a reverberation room and its application listening tests, Acta Physica Polonica A, 119, 1027-1030.
  • 23. Martellotta F. (2016), Understanding the acoustics of Papal Basilicas in Rome by means of a coupledvolumes approach, Journal of Sound and Vibration, 382, 413-427.
  • 24. Martellotta F., Cirillo E., Carbonari A., Ricciardi P. (2009), Guidelines for acoustical measurements in churches, Applied Acoustics, 70, 378-388.
  • 25. Martellotta F. (2008), Subjective study of preferred listening conditions in Italian Catholic churches, Journal of Sound and Vibrations, 317, 378-399.
  • 26. Mijic M. (2001), Serbian orthodox church – an acoustical view, Proceedings of 17th ICA, Rome.
  • 27. Mijic M., Sumarac-Pavlovic D. (2000), Acoustical characteristics of old wooden churches in Serbia, Journal of Acoustical Society of America, 108, 2648-2648.
  • 28. PAKP (2008), Orthodox Calendar for 2008 [in Polish], Redakcja Warszawskiej Metropolii Prawosławnej, Warszawa.
  • 29. Plewa M. (2007), Analysis of sound field in dominicans’ church in Cracow, Archives of Acoustics, 32, 4 (S), 227-233.
  • 30. Rossing T. (2007), Handbook of Acoustics, Springer, Stanford.
  • 31. Seniuk B. (1996), Orthodox churches of the Lublin province of Siedlce that have been executed by the project architect Syczugowa Victor Ivanovich, a member of the Imperial Academy of Fine Arts in St. Petersburg [in Polish], Proceedings of conference on sacra architecture development from X to XX century in Chełm diocese, Chełm.
  • 32. Soeta Y., Ito K., Shimokura R., Sato S., Ohsawa T., Ando Y. (2012), Effects of sound source location and direction on acoustic parameters in Japanese churches, The Journal of the Acoustical Society of America, 131, 2, 1206-1220, doi = 10.1121/1.3676697.
  • 33. Valière J. C., Palazzo-Bertholon B., Polack J. D. (2013), Acoustic pots in Ancient and Medieval buildings: Literary analysis of ancient texts and comparison with recent observations in French churches, Acta Acustica united with Acustica, 99, 70-81.
  • 34. Wroblewska D., Kulowski A. (2007), The acoustics factors in church designing, Wydawnictwo Politechniki Gdańskiej.
Uwagi
Opracowanie w ramach umowy 509/P-DUN/2018 ze środków MNiSW przeznaczonych na działalność upowszechniającą naukę (2018).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-dee1ff3b-da29-4c33-8606-9e0018120a77
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