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The lifestyle change resulting from the pandemic has led to a notable increase in the amount of time spent in residential interiors. This has resulted in an expansion of the range of activities performed in these spaces, which now encompass not only basic living functions but also work and access to culture. The evolution of interior design in an era of widespread migration, climate risks, demographic and social changes is evidenced by the changing functions, technologies and materials that are developing and expanding on a daily basis. This article presents a study of the visual perception of architectural interiors in representatives of different cultures, specifically those of Chinese (Vietnamese), Orthodox (Greek) and Western (Polish) civilizational backgrounds. The aim is to identify differences derived from cultural backgrounds. The objective of the study was to identify features that are sensitive to cultural diversity in interior design. In order to create fully inclusive interior design, it is essential to understand how interiors are perceived and how they affect the user by representatives of different audiences with different cultural backgrounds. This understanding can be used to preserve local identities, avoid globalisation and create fully inclusive places that are adapted to the needs of all users regardless of their ability or origin. The research has resulted in interior design guidelines that take into account the cultural diversity of users.
Czasopismo
Rocznik
Tom
Strony
art. no. e2024013
Opis fizyczny
Bibliogr. 40 poz., il., wykr.
Twórcy
autor
- Cracow University of Technology, Faculty of Architecture
- Cracow University of Technology, Faculty of Architecture
autor
- Duzce University, Department of Architecture
- Politecnico di Milano, Department of Architecture and Urban Studies
autor
- Politecnico di Milano, Department of Architecture and Urban Studies
autor
- Instituto Superior Manuel Teixeira Gomes, Department of Architecture
autor
autor
- Hanoi Architectural University
autor
- CAN Architects
autor
- Metropolitan College, Athens, Faculty of Engineering & Architecture
Bibliografia
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- 2. Chan, Y.-L. (2019). Smart Homes and Cultural Adaptation: A Cross-Cultural Study. Journal of Interior Design and Smart Technology 7(2), 93–104.
- 3. Choi, Y. Kyung, (2005). Understanding the Role of Culture in Interior Design. Journal of Interior Design, 31(1), 21–38.
- 4. Cieślak, M. (2017). Modern Trends in Polish Interior Design. Design Issues, 33(1), 78–87.
- 5. Cohen, A.J., Rooij, R., Willigenburg, T., (2017). The influence of minimalist design on the experience of urban spaces. Urban Design International 22(2), 153–160. https://doi.org/10.1057/s41289-017-0036-5
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- 8. Fotios, S., Cheal, C. (2007). Lighting for subsidiary streets: investigation of lamps of different SPD. Part 1: Visual performance. Lighting Research & Technology 39(3), 215–232.
- 9. Guilford, J.P. (1934). The affective value of color as a function of hue, tint, and chroma. Journal of Experimental Psychology 17(3), 342–370.
- 10. Hall, E.T. (1966). The Hidden Dimension. Garden City, NY: Doubleday.
- 11. Hauge, Å.L., Bjørnstad, Y. (2020). Sustainable Interior Design Practices in Scandinavian Countries. Journal of Sustainable Design 10(1), 56–70.
- 12. Haupt, P., Douvlou, E. (2023). Interior: a meeting place for cultures and generations. Środowisko Mieszkaniowe 42, 102–108.
- 13. Huntington, S.P. (1996). The Clash of Civilizations and the Remaking of World Order. Simon & Schuster.
- 14. Iwanicki, I. (2021). Localization Strategies in Global Interior Design. Journal of International Design Research 8(3), 211–225.
- 15. Karydis, E. (2015). Orthodox Christianity and its Influence on Greek Architecture and Interior Design. Architectural Desig 85(3), 102–109.
- 16. Kellert, S.R. (2005). Building for Life: Designing and Understanding the Human-Nature Connection. Island Press.
- 17. Kozłowski, T. (2019). The Fusion of Tradition and Modernity in Polish Interiors. Studies in Modern Art, 12, 123–136.
- 18. Kręgi kulturowe (cywilizacyjne) wg Samuela Huntingtona, https://zpe.gov.pl/a/kregi-kulturowe-swiata/D1EMnYwOb (access: 22.07.2024).
- 19. Küller, R. (1976). Psychological aspects of color. In: E. C. Carterette & M. P. Friedman (Eds.), Handbook of Perception, Vol. 5, (pp. 89–107). Academic Press.
- 20. Lee, J.-H., Young J.K. (2010). Cultural Influence on Interior Design. International Journal of Design 4(2), 29–37.
- 21. Lechner, N. (2013). Heating, Cooling, Lighting: Sustainable Design Methods for Architects. John Wiley & Sons.
- 22. Lewis, C.A. (2010). The Symbolic Life of Interiors: Tradition and Nostalgia in Home Decoration. Journal of Interior Design 35(3), 23–34.
- 23. Lewis, R.D. (2018). When Cultures Collide: Leading Across Cultures (4th ed.). Nicholas Brealey Publishing.
- 24. Mahnke, F.H. (1996). Color, Environment, and Human Response: An Interdisciplinary Understanding of Color and Its Use as a Beneficial Element in the Design of the Architectural Environment. Van Nostrand Reinhold.
- 25. McMains, S., Kastner, S. (2011). Interactions of top-down and bottom-up mechanisms in human visual cortex. Journal of Neuroscience 31(2), 587–597. https://doi.org/10.1523/JNEUROSCI.3766-10.2011
- 26. Mehrabian, A., Russell, J.A. (1974). An Approach to Environmental Psychology. MIT Press.
- 27. Nasar, J.L. (1992). Environmental Aesthetics: Theory, Research, and Applications. Cambridge University Press.
- 28. Necipoğlu, G. (1995), The Topkapi Scroll: Geometry and Ornament in Islamic Architecture. Santa Monica, CA: Getty Publications.
- 29. Nute, K. (2004). Japan’s Hidden Christians: The Influence of Christianity on Japanese Art and Architecture. University of Hawaii Press.
- 30. O’Connor, Z. (2011). Color psychology and color therapy: Caveat emptor. Color Research & Application 36(3), 229–234.
- 31. Rapoport, A. (1990). The Meaning of the Built Environment: A Nonverbal Communication Approach. University of Arizona Press.
- 32. Rosenbaum, M.S., Otalora, M.L., Ramírez, G.C. (2009). A brief history of cleanliness and the design of consumer spaces. Journal of Retailing and Consumer Services 16(6), 522–527. https://doi.org/10.1016/j.jretconser.2009.08.004
- 33. Rybczyński, W. (1986). Dom. Krótka historia idei. Viking.
- 34. Saito, M. (1996). Comparative studies on color preference in Japan and other Asian regions, with special emphasis on the preference for white. Color Research & Application 21(1), 35–49.
- 35. Spengler, O. (1918). The Decline of the West. Alfred A. Knopf.
- 36. Steinfeld, E., Maisel, J. (2012). Universal Design: Creating Inclusive Environments. Wiley.
- 37. Tzonis, A., Lefaivre, L. (1986). Classical Architecture: The Poetics of Order. MIT Press.
- 38. Ulrich, R.S. (1984). View Through a Window May Influence Recovery from Surgery. Science, 224(4647), 420–421.
- 39. Ulrich, R.S. (1991). Effects of interior design on wellness: Theory and recent scientific research. Journal of Health Care Interior Design 3(1), 97–109.
- 40. Wang, W. (2015). Feng Shui and its Role in Modern Interior Design. Journal of Asian Architecture and Building Engineering, 14(2), 417–424.
- 41. Zare, Z., Parsa, A. (2018). Preservation of Cultural Identity through Interior Design. Journal of Heritage Conservation, 25(2), 45–58.
Uwagi
1. Section "Architecture and Urban Planning"
2. Opracowanie rekordu ze środków MNiSW, umowa nr POPUL/SP/0154/2024/02 w ramach programu "Społeczna odpowiedzialność nauki II" - moduł: Popularyzacja nauki (2025).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-d62beed1-979f-4c1a-b500-ac5ead0b637b
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