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Guitar sound hole modification and its effect on tone

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Języki publikacji
EN
Abstrakty
EN
This paper investigates the possibility of acoustic guitar timbre modification through the use of sound hole inserts, which change the effective size of the instrument's sound hole. The multitude of different forms in which the acoustic guitar is produced and the tonal differences between them point towards a need among musicians for variety in the timbre of their instruments. A mechanism allowing for the changing of the sound produced by an existing instrument could therefore allow for flexibility and adaptability which has thus far not been possible with acoustic chordophones. One of the factors which greatly influences the acoustic guitar's tone is the characteristic of air resonances inside the instrument's resonance chamber, which are dependent on the depth and diameter of the body's opening. In this work a set of sound hole inserts is created, which after application decrease the diameter of the guitar's sound hole. Their effect on the instrument’s timbre is investigated experimentally and the achieved results are presented and discussed. Different insert diameters are also compared to investigate the more general effect sound hole diameter has on the tonal and temporal properties of an acoustic guitar.
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art. no. 2023202
Opis fizyczny
Bibliogr. 21 poz., fot. kolor., wykr.
Twórcy
  • AGH University of Krakow, al. Mickiewicza 30, Cracow, Poland
Bibliografia
  • 1. T. Bacon; History of the American Guitar: 1833 to the Present Day; Milwaukee, Backbeat Books, 2011
  • 2. R. Turner, F. Ford, T. Gerken, R. Johnston; Acoustic Guitar Owner’s Manual; San Anselmo, String Letter Publishing 2000
  • 3. The acoustic body shapes you should know; Available from: https://www.fender.com/articles/instruments/the-acoustic-body-shapes-you-should-know [Accessed: 2023/03/20]
  • 4. S. Carral, M. Paset; The influence of plectrum thickness on the radiated sound of the guitar; In: Proceedings - European Conference on Noise Control, 2008.
  • 5. W. Roberts; Physics and psychoacoustics of plucked-string instruments; A thesis submitted to Cardiff University for the degree of Doctor of Philosophy, 2015
  • 6. N.H. Fletcher, T.D. Rossing; The Physics of Musical Instruments; Springer New York, NY, 1998.
  • 7. J. Jasiński; Wpływ zmiany objętości pudła rezonansowego na brzmienie chordofonu szarpanego; In: Postępy w inżynierii dźwięku i psychoakustyce; Wydawnictwa AGH, Kraków, 2023
  • 8. J. Meyer; Quality aspects of the guitar tone; In: Function, Construction and Quality of the Guitar, Ed. Erik V. Jansson, 1938, 38, 51-76
  • 9. J.A. Torres, R.R. Boullosa; Influence of the bridge on the vibrations of the top plate of a classical guitar; Applied Acoustics, 2009, 70(11-12), 1371-1377; DOI: j.apacoust.2009.07.002
  • 10. M. Sobolewska, P. Nowak, D. Tokarczyk, A. Majchrzak, B. Chojnacki, A. Pilch; Modular guitar-the new concept of a measuring instrument; In: International Conference on New Music Concepts, vol. 5; Treviso, Italy, 2018
  • 11. A. Kabała, R. Barczewski; Shell-solid fem model of a violin resonance body; Vibrations in Physical Systems, 2020, 31(3), 2020308; DOI: 10.21008/j.0860-6897.2020.3.08
  • 12. J. Jasiński, S. Oleś, D. Tokarczyk, M. Pluta; On the Audibility of Electric Guitar Tonewood; Archives of Acoustics, 2021, 46(4), 571-578
  • 13. B. Owsinski; The recording engineer’s handbook; Hal Leonard Corporation, 2004
  • 14. B.C.J. Moore; An introduction to the psychology of hearing; Brill, 2012
  • 15. G. Peeters, B.L. Giordano, P. Susini, N. Misdariis, S. McAdams; The Timbre Toolbox: Extracting audio descriptors from musical signals; J Acoust Soc Am, 2011, 130(5), 2902-2916
  • 16. V. Alluri, P. Toiviainen; Exploring perceptual and acoustical correlates of polyphonic timbre; Music Percept, 2010, 27(3), 223-42
  • 17. A. Zacharakis, K. Pastiadis, J.D. Reiss; An interlanguage unification of musical timbre: Bridging semantic, perceptual, and acoustic dimensions; Music Percept 2015, 32(4), 394-412
  • 18. M. Markowski, U. Kaleta, J. Jasiński, B. Głowacki; Rozmawiając o dźwięku - badanie łączące opisy barwy dźwięku w języku polskim z parametryczną analizą sygnału (in Polish); In: Postępy w inżynierii dźwięku i psychoakustyce; AGH University of Science and Technology Press, 2022, 59-70
  • 19. S. Carral; Determining the just noticeable difference in timbre through spectral morphing: A trombone example; Acta Acustica united with Acustica, 2011, 97(3), 466-476
  • 20. A. Zacharakis, K. Pastiadis, J.D. Reiss; An interlanguage study of musical timbre semantic dimensions and their acoustic correlates; Music Percept, 2014, 31(4), 339-358
  • 21. E. Ozimek; Sound and its perception. Physical and psychoacoustic aspects (in Polish); PWN, Warsaw/Poznan, 2002
Uwagi
Opracowanie rekordu ze środków MNiSW, umowa nr SONP/SP/546092/2022 w ramach programu "Społeczna odpowiedzialność nauki" - moduł: Popularyzacja nauki i promocja sportu (2024).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-d52892c0-b4e4-429a-8a4c-3d7ca8a1c714
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