Formal Constituent Elements of a Dynamic Model of Object Formation

• Autorzy: Yurchenko Ihor

Identyfikatory

DOI

10.35784/teka.6881

Warianty tytułu

PL

Podstawowe elementy składowe dynamicznego modelu we wzornictwie przemysłowym

• Języki publikacji: EN

Abstrakty

EN

This article investigates the patterns for constructing a formal model of the formation of design objects. A clear structure of the model has been identified, which includes: the form-generating method of style; methodologies for pre-pro-ject analysis and research within the design process; form-generating principles in design; form-generating techniques in design; universal approaches to the formation of design objects; the method of experimental modeling; and special meth-ods for form generation based on ethnocultural traditions. The study presents global examples of models of the process of object formation, perspectives for their improvement, and practical application.

PL

W artykule przeanalizowano prawidłowości konstruowania podstawowego modelu tworzenia obiektów wzor-nictwa. Ujawniona została przejrzysta struktura modelu, która obejmuje: podstawową metodę stylu; metody analiz i badań przedprojektowych w systemie procesu projektowania; zasady kształtowania w projektowaniu; techniki kształtujące w projek-towaniu; uniwersalne podejścia do tworzenia obiektów projektowanych; metoda modelowania eksperymentalnego; specjalne metody tworzenia form w oparciu o tradycje etniczno-kulturowe. W opracowaniu przedstawiono światowe przykłady modeli procesu formowania rzeczy, perspektywy ich doskonalenia i praktycznego wykorzystania.

Słowa kluczowe

EN

design; form generation; model of design object formation; universal design methods; universal design princi-ples; design process; pre-project analysis; ethnocultural tradition; ethnocultural artistic tradition

PL

projektowanie; formowanie; model kształtowania obiektów projektowych; metody projektowania uniwersalnego; zasady projektowania uniwersalnego; proces projektowania; analiza przedprojektowa; tradycja etnokulturowa; tradycja etnoartystyczna

• Wydawca: Wydawnictwo Politechniki Lubelskiej ; Polska Akademia Nauk, Oddział w Lublinie
• Czasopismo: Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych
• Rocznik: 2024
• Tom: T. 20, nr 1
• Strony: 28--35
• Opis fizyczny: Bibliogr. 15 poz.

Twórcy

autor

Yurchenko Ihor

• Lviv Polytechnic National University

• https://orcid.org/0009-0003-1282-2140

Bibliografia

• [1] Badiu А., 2009. Model concept. Introduction to the materialist epistemology of mathematics. Monograph. Kyiv: Nika-Centr.
• [2] Bella Martin, Bruce Hanington, 2012. Universal Methods of Design: 100 Ways to Research Complex Problems, Develop Innovative Ideas, and Design Effective Solutions. Rockport Publishers. p. 207
• [3] John W. Creswell, and J. David Creswell., 2018. Research Design: Qualitative, Quantitative, and Mixed Methods Ap-proaches. Los Angeles. p. 284.
• [4] Karamischeva N.V., 2016. Future. Logical and philosophical research. Lviv. Liga-Pres. p. 190.
• [5] Neil Leonard, Gavin Ambrose, 2011. Basics. Graphic Design 02 : Design Research. Investidation for successful creative solutions. AVA Publishing SA
• [6] Norman D., 2013. The Design of Everyday Things. Monograph. New York: Basic Books. p. 268
• [7] Udris-Borodavko N., 2023. Graphic design with a Ukrainian face. Monograph. Kyiv. ArtHuss. p. 204.
• [8] William Lidwell, Kritina Holden, Jill Butler, 2010. Universal Principles of Design, Revised and Updated: 125 Ways to Enhance Usability, Influence Perception, Increase Appeal, Make Better Design Decisions, and Teach Through Design. Quarto Publishing Group USA. p. 272
• [9] Yurchenko I.A, 2009a. General scientific methods of cognition and their place in design. The value of the modeling method in design: Methodological guidelines. Lviv. Vidavnictvo Lvivskoi Politekhniki. p. 32.
• [10] Yurchenko I.A, 2009b. Methodology of pre-design analysis (functional analysis of a product decorated with an orna-ment): Methodical guidelines. Lviv. Vidavnictvo Lvivskoi Politekhniki. p. 48.
• [11] Yurchenko I.A, 2011. Hutsul carving. Visual and morphological regularities of ornament: theory and practice: mono-graph. Lviv. Vidavnictvo Lvivskoi Politekhniki. p. 368.
• [12] Yurchenko I.A, 2015. The structure of geometric shapes as the basis of form formation in ethnic design. Traditions and innovations in higher architectural and art education: Collection of scientific papers. Vol. N. 1. Kharkiv. HDADM. pp. 124−131.
• [13] Yurchenko I.A., 2013a. An artifact in the system of modern visual culture. Scientific collection of the Union of Art Critics and Historians. Collection of scientific works. Art Studies ’13. Lviv. ZUKC. pp. 135−146.[
• 14] Yurchenko I.A., 2013b. Experimental modeling of subject forms based on ethno-ornamental motifs. Special project: analysis of scientific research: materials of the 8th International Scientific and Practical Conference Current Issues of Modernity. Dnipropetrovsk. Bila K.O. pp. 11−14.
• [15] Yurchenko I.A., 2014. Special approaches and methods of shaping design objects based on ethno-cultural traditions. Bulletin of the Kharkiv State Academy of Design and Arts. Collection of scientific works. Kharkiv. HDADM. pp. 42−47.