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The Acoustics of the Catacombs

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
The catacombs are underground places. This paper reports the results of acoustic measurements carried out inside the catacombs of “San Gennaro” (Naples) and in those one of “San Callisto” (Rome). Originally the catacombs were also used to perform sacred functions, although we don’t know the type of these functions i.e. if they were spoken, sung or performed as psalms. This paper presents acoustic measurements carried out in catacombs using the impulse response method, and by the analysis of the monaural acoustic parameters, (T30, EDT, C80, D50 and STI), the authors intend to understand the type of religious ceremony performed in the catacombs. If the catacombs had been reverberant places, they could not have been used for prayers because the echoes would have created difficulties in concentration and meditation for the devotees due to the poor speech comprehension.
Rocznik
Strony
583--590
Opis fizyczny
Bibliogr. 25 poz., fot., rys.
Twórcy
autor
  • Department of Architecture and Industrial Design, Second University of Naples Borgo San Lorenzo, 81031 Aversa, Italy
  • Department of Architecture and Industrial Design, Second University of Naples Borgo San Lorenzo, 81031 Aversa, Italy
autor
  • Department of Civil Engineering, Applied Science University Shafa Badran, 11931 Jordan
Bibliografia
  • 1. ABELA J.S., RlCKB J.W., HUANGA P.P., KOLARA M.A., SMITHA J.O., CHOWNINGA J.M. (2008), On the Acoustics of the Underground Galleries of Ancient Chavin de Hudntar, Peru, Proceedings of Acoustics’08, pp. 4167-4172, Paris.
  • 2. BARUFFA A. (1992), Le catacombe di San Callisto. Storia, archeologia, fede [in Italian], Libreria Editrice Vaticana.
  • 3. BARRON M. (1993), Auditorium Acoustics and, Architectural Design, E&FN SPON London.
  • 4. DEICHMANN F.W. (1993), Archeologia cristiana [in Italian], L’Erma di Bretschneider, Roma.
  • 5. DE JORIO A. (1839), Guida perle Catacombe diS. Gennaro de’ Poveri [in Italian], (Reprint).
  • 6. DE SANTIS L., BIAMONTE G. (2011), Le catacombe di Rom,a [in Italian], Newton Compton Italiana.
  • 7. FASOLA U.M. (1974), Le ca tacom be di S. Gennaro a Capodimonte [in Italian], Editalia.
  • 8. FIOCCHI NICOLAI V., BISCONTI F., MAZZOLONI D. (1999), The Christian Catacombs of Rome, Schnell & Steiner Regensburg.
  • 9. GARBINI L. (2012), Breve storia della musica sacra [in Italian], il Saggiatore, Milano.
  • 10. IANNACE G., MARLETTA L., SlCURELLA F., IAN- NIELLO E. (2010), Acoustic measurements in the Ear of Dionysius at Syracuse (Italy), Proceedings of 39th International Congress on Noise Control Engineering, paper 580, Lisbon.
  • 11. IANNACE G., IANNIELLO C., IANNIELLO E. (2012), Acoustic measurements in underground, rooms of Castelcivita, Caves (Italy), Proceedings of European Conference on Noise Control - Euronoise 2012, pp. 124-129, Prague.
  • 12. IANNACE G., Trematerra A., Masullo M. (2013), The large theatre of Pompeii: Acoustic evolution, Building Acoustics, 20, 215-227.
  • 13. IANNACE G., TREMATERRA A. (2014), The acoustics of caves, Applied Acoustics, 86, 42-46.
  • 14. IANNIELLO C. (2011), Acústica delle cáveme, Rivista Italiana di Acústica, 35, 7-22.
  • 15. ISO-3382 (2012), Acoustics - Measurement of the reverberation time of rooms with, reference to other acoustical parameters.
  • 16. JAHN R.G., DEVEREUX P., IBISON M. (1996), Acoustical resonances of assorted ancient structures, J. Acoust. Soc. Am., 99, 2, 649-658.
  • 17. JIMENEZ GONZÁLEZ N., PICÓ R., REDONDO J. (2008), The Parpalló Cave: A singular archaeological acoustic site, Proc. Acoustics’08, Paris.
  • 18. PICÓ R., HORTELANO PIQUERAS L., ROIG B., REDONDO J. (2006), Simulación acústica, de la cueva del Parpalló mediante el método de elementos finitos, Tecniacustica, Gandia.
  • 19. PLUMMER W.T. (1969), Infrasonic Resonances in Natural Underground, Cavities, J. Acoust. Soc. Am., 46, 5, 1074-1080.
  • 20. REZNIKOFF I. (2008), Sound resonance in prehistoric times: A study of Paleolithic painted caves and, rocks, Proceedings of Acoustics’08, pp. 4137-4141, Paris.
  • 21. STEVENSON J. (1978), The Catacombs, Thames and Hudson Ltd, London.
  • 22. SUÁREZ R., JUAN J., SENDRA J.J., ALONSO A. (2013), Acoustics, Liturgy and, Architecture in the Early Christian Church. From the domus ecclesiae to the basilica, Acta Acústica, 99, 292-301.
  • 23. TREMATERRA A., IANNACE G. (2013), The acoustic of the Catacombs of “San Gennaro” in Naples, Proceedings of International Congress on Noise Control Engineering, Innsbruck.
  • 24. WALLIN N.L., MERKER B. (2000), The Origins of Music, Steven Brown [Ed.], MIT Press.
  • 25. WATSON A., KEATING D. (1999), Architecture and sound: an acoustic analysis of megalithic monuments in prehistoric Britain, Antiquity, 3, 325-336.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-ce03f2eb-1048-4ebf-8862-e24a51f3a628
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