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Research development: creativity and innovation’s place in engineering education

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Is creativity a given by nature? Is this a legitimate question of all people that realize the value of creativity and hope to find more of it in each human being as often as possible? By learning more and more about creativity, we can better discover its direct connection to a certain domain. It is considered to be the aptitudes, knowledge, and personality characteristics that sustain and lead to creative thinking – to the creative behavior needed to have a creative a specific background to the developing domain. Different domains need to have different personality abilities, knowledge, aptitudes, and characteristics. The tests applied to the students belonging to engineering study programs increase the conviction that creativity is lacking in their knowledge abilities. The engineering profession is realized by means of a solution projection that has appeared, and creativity is the instrument that is used by engineers in solving their problems. The tests results have shown modest creative abilities that are valid for the students of both the universities of Romania as well as in Poland. More than that, although they belong to a promising generation (“the Y generation”), the modest dimension of their creativity is exclusively due to the modest system of education in promoting creativity. Solutions are at the hand of academic management: by means of bettering of the engineering curricula, of bettering the didactic behavior of the academic staff, and by means of sustaining the creativity concept in an engineering education.
Rocznik
Strony
423--431
Opis fizyczny
Bibliogr. 34 poz., tab., wykr.
Twórcy
autor
  • Lucian Blaga University of Sibiu, Romania
autor
  • Lucian Blaga University of Sibiu, Romania
Bibliografia
  • [1] Baer J., Kaufman J.C.: Being creative inside and outside the classroom. Sense Publishers, Rotterdam 2012.
  • [2] Beghetto R.A.: Killing ideas softly? The promise and perils of creativity in the classroom. Information Age Publishing, Charlotte, NC 2013.
  • [3] Plucker J.A., Beghetto R.A.: Introduction to the special issue. Psychology of Aesthetics, Creativity, and the Arts, vol. 9(2), 2015, pp. 115.
  • [4] Baer J.: The importance of domain specific expertise in creativity. Roeper Review, vol. 37, 2015, pp. 165–178.
  • [5] Kaufman J.C., Baer J., Cole J.C.: Expertise, domains, and the consensual assessment technique. The Journal of Creative Behavior, vol. 43(4), 2009, pp. 223–233.
  • [6] Sawyer K.: Explaining creativity: The science of human innovation (2nd ed.). Oxford University Press, New York 2012.
  • [7] Barbot B., Besancon M., Lubart T.I.: Assessing creativity in the classroom. Open Education Journal, vol. 4 (Suppl. 2, M5), 2011, pp. 124–132.
  • [8] Csikszentmihalyi M.: Society, culture, and person: A systems view of creativity. In: Sternberg R.J. (ed.), The Nature of Creativity: Contemporary Psychological Perspectives, Cambridge University Press, New York 1988, pp. 325–339.
  • [9] Gardner H.: Creating minds. Basic Books, New York 1993.
  • [10] Runco M.A.: The creativity of children’s art. Child Study Journal, vol. 19, 1989, pp. 177–190.
  • [11] Sternberg R.J., Lubart T.I.: Defying the crowd. Cultivating creativity in a culture of conformity. Free Press, New York 1995.
  • [12] Baer J.: Divergent thinking is not a general trait: A multi-domain training experiment. Creativity Research Journal, vol. 7, 1994, pp. 35–46.
  • [13] Ivcevic Z.: Artistic and everyday creativity: An act-frequency approach. Journal of Creative Behavior, vol. 41, 2007, pp. 271–290.
  • [14] Conti R., Coon H., Amabile T.M.: Evidence to support the componential model of creativity: Secondary analyses of three studies. Creativity Research Journal, vol. 9, 1996, pp. 385–389.
  • [15] Pretz J.E., McCollum V.A.: Self-perceptions of creativity do not always reflect actual creative performance. Psychology of Aesthetics, Creativity, and the Arts, vol. 8, 2014, pp. 227–236.
  • [16] Sternberg R.J.: Teaching for creativity: The sounds of silence. Psychology of Aesthetics, Creativity, and the Arts, vol. 9(2), 2015, pp. 115–117.
  • [17] Amabile T.M.: Creativity in context: Update to “The Social Psychology of Creativity”. Westview, Boulder, CO 1996.
  • [18] Baer J.: The case for domain specificity in creativity. Creativity Research Journal, vol. 11, 1998, pp. 173–177.
  • [19] Hennessey B.A.. Social, environmental, and developmental issues and creativity. Educational Psychology Review, vol. 7(2), 1995, pp. 163–183.
  • [20] Burke R.J., Mattis M.C. (ed.): Women and minorities in science, technology, engineering and mathematics. Upping the numbers. Edward Elgar Publishing Limited, Cheltenham, UK 2007.
  • [21] Dușe D.M., Dușe C.S.: The perception of students on the efficiency of their work by using the projects method in teaching Manufacturing Science. SEFI 2013, Leuven, Belgie, [on-line:] http://www.kuleuven.be/communicatie/congresbureau/congres/sefi2013/eproceedings/79.pdf [September 2013].
  • [22] Charyton C., Merrill J.A.: Assessing general creativity and creative engineering design in first year engineering students. Journal of Engineering Education, vol. 98(2), 2009, pp. 145–156.
  • [23] Cropley D.H.: Creativity in engineering: Novel solutions to complex problems. Academic Press, 2015.
  • [24] Duse D.M., Duse C.S.: Creativity and innovation in engineering education. AGH Drilling, Oil, Gas, vol. 34, no. 2, 2017, pp. 619–627.
  • [25] Buhl H.R.: Creative engineering design. Iowa State University Press, 1960.
  • [26] National Academy of Engineering: Messaging for engineering: From research to action. National Academies Press, Washington, DC 2013.
  • [27] Katehi L., Pearson G., Feder M.A. (ed.): Engineering in K-12 education: Understanding the status and improving the prospects. The National Academy Press, Washington, DC 2009.
  • [28] Kazerounian K., Foley S.: Barriers to creativity in engineering education: A study of instructors and students perceptions. Journal of Mechanical Design, vol. 129(7), 2007, pp. 761–768.
  • [29] Dușe D.M., Dușe C.S.: Engineering creativity support for future research and development. 8th Balkan Region Conference on Engineering and Business Education and 10th International Conference on Engineering and Business Education Sibiu, Romania, October, 2017. Copyright © ULBS.
  • [30] Sternberg R.J.: Creativity as a habit. [In:] Tan A.-G. (ed.), Creativity: A handbook for teachers, World Scientific, Singapore 2007, pp. 3–25.
  • [31] Cropley D.H.: Nurturing Creativity in the Engineering Classroom. [In:] Beghetto R., Kaufman J.C. (ed.), Nurturing Creativity in the Classroom (2nd ed., Chapter 13), Cambridge University Press, 2015, pp. 212–226.
  • [32] Baillie C., Walker P.: Fostering creative thinking in student engineers. European Journal of Engineering Education, vol. 23(1), 1998, pp. 35–44.
  • [33] Chang C.P., Hsu C.T., Chen I.J.: The relationship between the playfulness climate in the classroom and student creativity. Quality & Quantity, vol. 47(3), 2013, pp. 1493–1510.
  • [34] Rhodes M.: An analysis of creativity. Phi Delta Kappan, vol. 42, 1961, pp. 305–310.
Uwagi
PL
Opracowanie rekordu w ramach umowy 509/P-DUN/2018 ze środków MNiSW przeznaczonych na działalność upowszechniającą naukę (2019).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-cd8fa633-e201-4403-888b-c7c4275e55c8
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