Effect of Patternmaker’s Proficiency On the Creation of Clothing

• Autorzy: Kim K. , Otani T. , Takatera M.

Identyfikatory

DOI

10.1515/aut-2016-0005

• Języki publikacji: EN

Abstrakty

EN

The effect of the patternmaker’s proficiency on the creation of clothing was investigated by the observation of the patternmaking process for clothing that satisfies the designer. We asked Japanese and French patternmakers to make a clothing pattern for the same design. The reasons for the differences in resultant clothing patterns and toiles made by the two patternmakers are discussed. Although the patternmaking processes used by the proficient patternmakers were similar, the resultant patterns were different owing to different recognition of the design. In particular, the shape and size of the collar that the designer emphasized in the illustration were different in the resultant patterns. Differences in patternmaking originated from differences in the patternmakers′ levels of expertise in terms of education, experience, and proficiency. However, the designer was satisfied with both patterns.

Słowa kluczowe

EN

patternmaker; patternmaking; proficiency

PL

modelarz; modelarstwo; biegłość

• Wydawca: Lodz University of Technology, Faculty of Material Technologies and Textile Design
• Czasopismo: Autex Research Journal
• Rocznik: 2017
• Tom: Vol. 17, no. 2
• Strony: 120--128
• Opis fizyczny: Bibliogr. 15 poz.

Twórcy

autor

Kim K.

• Division of Kansei and Fashion Engineering, Institute for Fiber Engineering (IFES), Interdisciplinary Cluster for Cutting Edge Research (ICCER), Shinshu University, 3-15-1 Tokida, Ueda, Nagano, 386-8567, Japan

autor

Otani T.

• Faculty of Textile Science and Technology, Shinshu University, 3-15-1 Tokida, Ueda, Nagano, 386 8567, Japan

autor

Takatera M.

• ivision of Kansei and Fashion Engineering, Institute for Fiber Engineering (IFES), Interdisciplinary Cluster for Cutting Edge Research (ICCER), Shinshu University, 3-15-1 Tokida, Ueda, Nagano, 386-8567, Japan

Bibliografia

• [1] LaBat, K. L., and Sokolowski, S. L. (1999). A three-stage design process applied to an industry-university textile product design project. Clothing and Textiles Research Journal, 17(1), 11-20.
• [2] McKinney, E. C., Bye, E., & LaBat, K. (2012). Building patternmaking theory: a case study of published patternmaking practices for pants. International Journal of Fashion Design, Technology and Education, 5(3), 153-167.
• [3] Rissanen, Timo. “Types of fashion design and patternmaking practice.” Nordes 2 (2007). University of Arts, Crafts and Design, Stockholm, Sweden May 27, 2007 - May 30
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• [8] Kaufman, James C., Claudia A. Gentile, and John Baer. (2005) Gifted Child Quarterly Do gifted student writers and creative writing experts rate creativity the same way?.” 49(3) 260-265.
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• [12] Kim KO, Miyatake K, Sano K, Takatera M and Otani T. (2013) Comparison of high-end tailored jackets for readyto- wear produced in Italy and Japan, International Journal of Affective Engineering, 13(1), 35-41.
• [13] Kim KO, Miyatake K, Sano K, Takatera M and Otani T. (2013) Research on Jacket Patterns and Specifications of Ready-to-wear for High-end in Italy and Japan, International Journal of Affective Engineering, 13(1), 27-33.
• [14] Otani T, Kim KO, Takahashi M, Inui S, Morikawa H and Takatera M. (2014) International Presence and Fashion Business in Japan: To Advocate the Construction of Fashion Engineering, Journal of Japan Society of Kansei Engineering, 12(4) 1-40.
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Uwagi

Opracowanie ze środków MNiSW w ramach umowy 812/P-DUN/2016 na działalność upowszechniającą naukę (zadania 2017).