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Singing voice analysis on the basis of acoustic parameters

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Języki publikacji
EN
Abstrakty
EN
Voice plays a fundamental role in human relations. In addition to its communicative function in everyday life, the voice also acts as an instrument or a working tool for singers, teachers or actors. It is said that singing is an extension of speech, but performing it correctly is a complex task that requires hard work and training. This paper draws attention to the problem of insufficient training in voice emission and voice control of singers in amateur choirs, which can cause strain and disorders of the phonatory system. Tool that can assess the quality of a person's singing on the basis of acoustic parameters may prove useful. In order to determine parameters that could help evaluate the correctness of singing, a study was conducted on a group of 10 choir members and one professional singer. The study consisted of recording the singers' voice during singing and speech. The subjects performed simple vocal exercises consisting mainly in upward and downward sound modulation. In this study, portions of the recordings were analysed to determine parameters like Maximal Phonation Time (MPT), Singing Power Ratio (SPR) or signal integral. The values of obtained parameters for the choristers were compared with the results of the professional singer, which allowed to select those parameters that may be helpful in the evaluation of the singing voice. The parameters for which the connection between their value and singing correctness has been shown create a vector of features that can be used to assess the correctness of classical singing. The paper also describes further research plan.
Rocznik
Strony
art. no. 2023211
Opis fizyczny
Bibliogr. 19 poz., il. kolor., rys., wykr.
Twórcy
  • AGH University of Krakow, Department of Mechanical Engineering and Robotics
  • The Krzysztof Penderecki Academy of Music in Krakow, Department of Voice and Drama
Bibliografia
  • 1. S.R. Kadiri, B. Yegnanarayana; Breathy to tense voice discrimination using zero-time windowing cepstral coefficients (ZTWCCs); Proceedings of the Annual Conference of the International Speech Communication Association, Hyderabad, India, September 2-8, 2018; INTERSPEECH, 2018, 232-236; DOI: 10.21437/Interspeech.2018-2498
  • 2. S.R. Kadiri, P. Alku, B. Yegnanarayana; Analysis and classification of phonation types in speech and singing voice; Speech Commun, 2020, 118, 33-47; DOI: 10.1016/j.specom.2020.02.004
  • 3. J.L. Gartner-Schmidt, D.F. Roth, T. G. Zullo, C. A. Rosen; Quantifying component parts of indirect and direct voice therapy related to different voice disorders; Journal of Voice, 2013, 27(2), 210-216; DOI: 10.1016/j.jvoice.2012.11.007
  • 4. Krtań anatomia i patologie; https://altamed.pl/produkt/krtan-anatomia-i-patologie/ (in Polish, accessed on 2023.03.21)
  • 5. B. Tarasiewicz; Mówię i śpiewam świadomie (in Polish), 1st ed.; TAiWPN UNIVERSITAS, 2003
  • 6. F. Onofre, Y. de A. Prado, G.V.E. Rojas, D. M. Garcia, L. Aguiar-Ricz; Measurements of the Acoustic Speaking Voice After Vocal Warm-up and Cooldown in Choir Singers; Journal of Voice, 2017, 31( 1), 129.e9-129.e14; DOI: 10.1016/j.jvoice.2015.12.004
  • 7. D.L.P. Marchand, F.S. Kavaliunas, M. Cassol; The Effectiveness of the EASE Scale in the Development of a Vocal Warm-up Program for an Amateur Choir; Journal of Voice, 2019, 33(3), 310-316; DOI: 10.1016/j.jvoice.2017.11.003
  • 8. M.Z. Lerner, B. Paskhover, L. Acton, N. Young; Voice disorders in actors; Journal of Voice, 2013, 27(6), 705-708; DOI: 10.1016/j.jvoice.2013.05.006
  • 9. R.L. Middleton, V.A. Hinton; A Preliminary Investigation of the Vocal Behaviors and Characteristics of Female Pastors; Journal of Voice, 2009, 23(5), 594-602; DOI: 10.1016/j.jvoice.2008.01.002
  • 10. A. Szabo Portela, B. Hammarberg, M. Södersten; Speaking fundamental frequency and phonation time during work and leisure time in vocally healthy preschool teachers measured with a voice accumulator; Folia Phoniatrica et Logopaedica, 2014, 65(2), 84-90; DOI: 10.1159/000354673
  • 11. E. Sielska, K. Niemczyk; Diagnostic protocol in voice disorders; Polski Przegląd Otorynolaryngologiczny, 2015, 4(2), 12-19; DOI: 10.5604/20845308.1152198
  • 12. J. Sundberg; Articulatory interpretation of the ‘singing formant’; J. Acoust. Soc. Am., 1974, 55, 838-844; DOI: 10.1121/1.1914609
  • 13. C. Watts, K. Barnes-Burroughs, J. Estis, D. Blanton; The singing power ratio as an objective measure of singing voice quality in untrained talented and nontalented singers; Journal of Voice, 2006, 20(1), 82-88; DOI: 10.1016/j.jvoice.2004.12.003
  • 14. E. Kazanecka, A. Wrońska, A. Szkiełkowska, H. Skarżyński; The application of the Accent Method for the therapy of speech and singing disorders; Audiofonologia, 2004, 26, 81-84
  • 15. C.H. Santoni; Influencing oral-nasal balance in speech and song; PhD Thesis, University of Toronto, Toronto, 2021
  • 16. W.E. Ross; Importance of Good Technique in Singing; Music Educators Journal, 1961, 48(1), 91-95; DOI: 10.2307/3389724
  • 17. I. Chatterjee, S. Mulia, S. K. Makar, V. Sinha; A Comparative Study among Trained Hindustani Classical Singers, Untrained Singers and Non-singers through Cepstral Analysis; International Journal of Phonosurgery & Laryngology, 2022, 12(1), 5-11; DOI: 10.5005/jp-journals-10023-1234
  • 18. M. Evans; Vocal Qualities in Female Singing; PhD Thesis, University of York, York, 1995
  • 19. D. Slater; Vocal physiology and the teaching of singing, 1st ed.; Foreman Press, 2009
Uwagi
Opracowanie rekordu ze środków MNiSW, umowa nr SONP/SP/546092/2022 w ramach programu "Społeczna odpowiedzialność nauki" - moduł: Popularyzacja nauki i promocja sportu (2024).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-b2ecc85f-9dd2-406d-b7dd-03d2774b181c
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