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Objective Measures of Spatial Effects in Spanish Concert Halls

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
The present work consists of a statistical study of the monaural (lateral-reflection fractions and level) and binaural acoustic parameters (inter-aural cross-correlation coefficients) that evaluate the amount of early and late lateral acoustic energy encountered in 9 performance halls in Andalusia (southern Spain). Hall volumes range between 6,163 m3 and 34,594 m3 and all enclosures are used for presentations of symphonic concerts and other music performances. The majority of these venues are located in provincial capitals of the community and often constitute the only premises in the city where symphonic concerts can be held. The acoustic parameters under study here were derived from impulse responses analyses using a sine-sweep signals which were generated and processed by WinMLS 2004 software in the octave- band frequency centred from 125 to 4 kHz, and all parameters were spectrally averaged according to the ISO 3382-1 standard. A comparison is presented of monaural experimental results as a function of source- receiver distance with the prediction of Barron’s revised theory for concert halls, and the analyses of the acoustic parameter results are carried out in terms of their respective just noticeable differences: at the many microphone positions for the two source positions on stage, for the spatial distribution of seats in the audience zone relative to the central axis (for left- and right-hand sides) of the rooms, and for the presence of the orchestra shell on stage. Results reveal that the orchestra shell propitiates a perceptible decrement in the values of the early lateral energy fraction and an increment in the late lateral level at the audience seats. In addition, a regression study reveals that the two kinds of measures of laterality, monaural and binaural, are correlated when the hall-average data is considered, but they remain uncorrelated when all individual positions are used. Likewise, the ranges of variation of the acoustic parameters found in these halls are narrower than those specified in the ISO 3382-1. The paper concludes with a discussion on the relationships of hall-average data of the five parameters with eight geometric and acoustic variables.
Rocznik
Strony
529--547
Opis fizyczny
Bibliogr. 39 poz., fot., rys., tab.
Twórcy
autor
autor
  • Departamento de Fýsica Aplicada II Universidad de Sevilla, E.T.S. Arquitectura (IUACC) Av. Reina Mercedes 2, 41012-Sevilla, Spain, sgiron@us.es
Bibliografia
  • 1. Abdou A., Guy R.W. (1996), Spatial information of sound fields for room-acoustics evaluation and diagnosis, Journal of the Acoustical Society of America, 100, 3215-3226.
  • 2. Ando Y. (2007), Handbook of Acoustics, Thomas Rossing, Editor, Springer-Verlag, New York Chapter 10.
  • 3. Barron M. (1971), The subjective effects of first reflections in concert halls - the need for lateral reflections, Journal of Sound and Vibration, 15, 475-494.
  • 4. Barron M. (2001), Late lateral energy fractions and the envelopment question in concert halls, Applied Acoustics, 62, 185-202.
  • 5. Barron M., Lee L-J. (1988), Energy relations in concert auditoria I, Journal of the Acoustical Society of America, 84, 618-628.
  • 6. Barron M., Marshall A.H. (1981), Spatial impression due to early lateral reflections in concert halls. The derivation of a physical measure, Journal of Sound and Vibration, 77, 211-232.
  • 7. Beranek L.L. (1962), Music, Acoustics and Architecture, John Wiley & Sons, New York.
  • 8. Beranek L.L. (1992), Concert hall acoustics, The Journal of the Acoustical Society of America, 92, 1-39.
  • 9. Blauert J., Lindemann W. (1986a), Auditory spaciousness: Some further psychoacoustic analyses, The Journal of the Acoustical Society of America, 80, 533-542.
  • 10. Blauert J., Lindemann W. (1986b), Supplementary psychoacoustical results on auditory spaciousness, Acustica, 59, 292-293.
  • 11. Bradley J.S. (1994), Comparison of concert hall measurements of spatial impression, Journal of the Acoustical Society of America, 96, 3525-3535.
  • 12. Bradley J.S. (1996), Some effects of orchestra shells, Journal of the Acoustical Society of America, 100, 889-898.
  • 13. Bradley J.S. (2011), Review of objective room acoustics measures and future needs, Applied Acoustics, 72, 713-720.
  • 14. Bradley J.S., Reich R.D., Norcross S.G. (2000), On the combined effects of early- and late-arriving sound on spatial impression in concert halls, Journal of the Acoustical Society of America, 108, 651-661.
  • 15. Bradley J.S., Soulodre G.A. (1995a), The influence of late-arriving energy on spatial impression, Journal of the Acoustical Society of America, 97, 2263-2291.
  • 16. Bradley J.S., Soulodre G.A. (1995b), Objective measures of listener envelopment, Journal of the Acoustical Society of America, 98, 2590-2597.
  • 17. Cox T.J., Davies J., Lam Y.W. (1993), The sensitivity of listeners to early sound field changes in auditoria, Acustica, 79, 27-41.
  • 18. Cremer L. (1989), Early reflections in some modern concert halls, Journal of the Acoustical Society of America, 85, 1213-1225.
  • 19. Damaske P., Ando Y. (1972), Inter aural cross correlation for multichannel loudspeaker reproduction, Acustica, 27, 232-238.
  • 20. De Vries D., Hulsebos E.M., Baan J. (2001), Spatial fluctuations in measures for spaciousness, Journal of the Acoustical Society of America, 110, 947-954.
  • 21. Evjen P., Bradley J.S., Norcross S.G. (2001), The effect of late reflections from above and behind on listener envelopment, Applied Acoustics, 62, 137-153.
  • 22. Gade A.C. (1989), An acoustical survey of eleven European concert halls - a basis for discussion of halls in Denmark, The Acoustics Laboratory, Tech. Univ. of Denmark, [Report No.44].
  • 23. Girón S., Galindo M., Zamarreño T. (2008), Distribution of lateral acoustic energy in Mudejar-Gothic churches, Journal of Sound and Vibration, 315, 1125-1142.
  • 24. Girón S., Zamarreño T., Galindo M. (2010), Experimental study of support parameters in auditorium and proscenium stages, Acta Acustica united with Acustica, 96, 1026-1041.
  • 25. Hidaka T., Beranek L.L., Okano T. (1995), Interaural cross-correlation, lateral fraction, and low- and high-frequency sound levels as measures of acoustical quality in concert halls, Journal of the Acoustical Society of America, 98, 988-1007.
  • 26. International Organization For Standardization ISO 3382-1:2009(E), (2009), Acoustics-Measurement of room acoustic parameters, part 1: Performance rooms, Geneva, Switzerland.
  • 27. Kleiner M. (1989), A new way of measuring the lateral energy fractions, Applied Acoustics, 27, 321-327.
  • 28. León A.L., Sendra J.J., Navarro J., Zamarreño T. (2007), Acoustics and restoration in theatres of Andalucia [in Spanish: Acustica y Rehabilitación en Teatros de Andalucıa], Secretariado de Publicaciones de la Universidad de Sevilla, Sevilla.
  • 29. Marshall A.H. (1967), A note on the importance of room cross-section in concert halls, Journal of Sound and Vibration, 5, 100-112.
  • 30. Marshall A.H. (1968), Levels of reflection masking in concert halls, Journal of Sound and Vibration, 7, 116-118.
  • 31. MIREM (Mapa Informatizado de Recintos Escénicos y Musicales; Fundación Autor, Sociedad General de Autores y Editores) http://www.artenetsgae.com-/mire/index.htm [Digital Scenic andMusical Enclosure Map, Author Foundation] (Accessed September 2012, currently only in Spanish).
  • 32. Morimoto M., Iida K., Sakagami K. (2001), The role of reflections from behind the listener in spatial impression, Applied Acoustics, 62, 109-124.
  • 33. Morimoto M., Nakagawa, K. Iida K. (2008), The relation between spatial impression and the law of the first wavefront, Applied Acoustics, 69, 132-140.
  • 34. Okano T., Beranek L.L., Hidaka T. (1998), Relations among interaural cross-correlation coefficient (IACCE), lateral fraction (LFE), and apparent source width (ASW) in concert halls, Journal of the Acoustical Society of America, 104, 255-265.
  • 35. Peutz V.M.A. (1971), Articulation loss of consonants as a criterion for speech transmission in a room, Journal of the Audio Engineering Society, 19, 915-919.
  • 36. Sabine W.C. (1993), Collected Papers on Acoustics. (Cambridge: Harvard University Press), Reprinted by Acoustical Society of America, New York.
  • 37. Schroeder M.R., Atal B.S., Sessler G.M., West J.E. (1966), Acoustical measurements in the Philharmonic Hall (New York), Journal of the Acoustical Society of America, 40, 434-440.
  • 38. Soeta Y., Nakagawa S., Tonoike M., Ando Y. (2002), Magnetoencephalographic responses corresponding to individual subjective preference of sound fields, Journal of Sound and Vibration, 258, 419-428.
  • 39. West J.E. (1966), Possible subjective significance of the ratio of height to width of concert halls, Journal of the Acoustical Society of America, 40, 1245
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-article-BUS8-0026-0078
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