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Acoustic Rehabilitation of the Church of Santa Ana in Moratalaz, Madrid

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
The church of Santa Ana in Moratalaz, Madrid, Spain (1965–1971), is an emblematic work of the architect Miguel Fisac. In his long career include interventions in the religious field, constituting one of the most important contributions to Spanish religious architecture of the last century. This church is a singular place of worship and architecturally significant, in which the acoustics played an important role in the configuration of the spatiality of the church. This paper studies the acoustic behaviour of the church and its relationship with its unique structural, spatial and coating material characteristics. The analysis of the current acoustic conditions, with high reverberation times (up to 6 seconds) and poor intelligibility on the audience, serve as the basis for making an acoustic rehabilitation proposal that contributes to improving the sound conditions of the building for the intended use, without distorting the spatial, formal and material aspects with which the architect conceived the project.
Rocznik
Strony
435--446
Opis fizyczny
Bibliogr. 13 poz., fot., tab., wykr.
Twórcy
autor
autor
autor
  • Department of Architectural Buildings I, University of Seville Higher Technical School of Architecture (ETSA) University Institute of Architecture and Building Sciences (IUACC) Avda. Reina Mercedes 2, 41012 Seville, Spain, anabueno@arquired.es
Bibliografia
  • 1. Budzyński G. (2011), Sacral Sound-Engineering, Archives of Acoustics, 36, 2, 199-224.
  • 2. Bueno A.M., Le? A.L., Galindo M. (2011a), La acustica en las iglesias postconciliares de Miguel Fisac: Santa Ana de Moratalaz, Communication presented during the 42nd Spanish Congress on Acoustics, Tecniacustica 2011, Caceres, Spain.
  • 3. Bueno A.M., Le? A.L., Galindo M. (2011b), Simulación acustica de la iglesia de Santa Ana de Moratalaz, Communication presented during the International Seminar on Virtual Acoustics, ISVA 2011, Valencia,Spain.
  • 4. Carvalho A., Silva P. (2010), Sound, Noise and Speech at the 9000-Seat Holy Trinity Church in Fatima, Portugal, Archives of Acoustics, 35, 2, 145-156.
  • 5. Cox T.J., D'Antonio P. (2004), Acoustic Absorbers and Diffusers. Theory, Design and Application, Spon, London.
  • 6. Fisac M. (1965), Memoria del Proyecto de Complejo Parroquial de Santa Ana en Moratalaz, [in:] Santa Ana de Moratalaz, 1965-1971. Miguel Fisac, Delgado E. [Ed.] pp. 88-93, Colegio de Arquitectos de Almerıa, Almerıa.
  • 7. Galindo M., Zamarreño T., Girón S. (2009), Acoustic simulations of Mudejar-Gothic churches, J. Acoust. Soc. Am., 126, 3, 1207-1218.
  • 8. Harris C.M. (1994), Noise Control in Buildings, Mc-Graw Hill, New York.
  • 9. Houtgast T., Steeneken H.J.M. (1971), Evaluation of Speech Transmission Channels by Using Artificial Signals, Acustica, 25, 355-367.
  • 10. ISO 3382-1:2009, Acoustics. Measurement of room acoustic parameters. Part 1: Performance spaces.
  • 11. Knudsen V.O., Harris C.M. (1998), Acoustical Design in Architecture, 5th Ed., Acoustical Society of America, New York.
  • 12. Martellotta F. (2009), Identifying acoustical coupling by measurements and prediction-models for St. Peter's Basilica in Rome, J. Acoust. Soc. Am., 126, 3, 1175-1186.
  • 13. Vorländer M. (2008), Auralization, Fundamentals of Acoustics, Modelling, Simulation, Algorithms and Acoustic Virtual Reality, Springer-Verlag, Berlin
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-article-BUS8-0026-0068
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