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Subjective Assessment of Concert Halls: a Common Vocabulary for Music Lovers and Acousticians

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
In recent years we have interviewed members of the audience after musical performances and asked them to evaluate the acoustics of the concert halls. A group of "music lovers" (with a high level of musical training and experience) and "acousticians" (with a wide knowledge of the physical characteristics of sound transmission) also attended each performance and answered the same questions as the general public. This group thereby served as a control group when evaluating surveys of the general public. In this paper, the results obtained when analyzing these control group surveys are presented. This analysis shows that a common vocabulary exists between music lovers and acousticians when rating a hall, although the grouping of the questions for each factor depends on the training of the respondents.
Słowa kluczowe
Rocznik
Strony
331--340
Opis fizyczny
Bibliogr. 28 poz., tab.
Twórcy
autor
autor
  • Departamento de Fisica Aplicada, Universitat Politecnica de Valencia Camino de Vera s/n, 46022 Valencia, Spain, agimenez@fis.upv.es
Bibliografia
  • 1. Ando Y. (1977), Subjective preference in relation to objective parameters of music sound fields with a single echo, J. Acoust. Soc. Am. 62, 6, December, 1436-1441.
  • 2. Barron M. (1988), Subjective study of British symphony concert halls, Acustica, 66, 1-14.
  • 3. Beranek L. (1962), Music acoustics & architecture, John Wiley & Sons, New York, NY.
  • 4. Beranek L. (1996), Concert halls and opera houses, Springer-Verlag, New York, NY.
  • 5. Beranek L. (2003), Subjective rank-orderings and acoustical measurements for fifty-eight concert halls, Acta Acustica united with Acustica, 89, 3, May/June, 494-508.
  • 6. Beranek L. (2008), Concert Hall Acoustics, J. Audio Eng. Soc., 56, 7/8.
  • 7. Blankenship J., Fitzgerald R.B., Lane R. (1955), Comparison of objective and subjective observations on music rooms, J. Acoust. Soc. Am., 27. 774-780.
  • 8. Choi Y-J., Fricke F.R. (2005), Evaluation of the relative acoustic performance of two auditoria using measurements and auralization, Acta Acustica United with Acustica, 91, 1051-1062.
  • 9. Cremer L., Müller H.A. (1982), Principles and applications of room acoustics, Vol. I, II, Applied Science Publishers, London.
  • 10. Cox T. J., Shiels B.M. (1999), Audience questionnaire survey of the acoustics of the Royal Festival Hall, London, England, Acustica united with Acta acustica, 85, 547-559.
  • 11. Fischetti A., Hemin Y., Jouhaneau J. (1992), Relations between Subjective Spatialisation, Geometrical Parameters and Acoustical Criteria in Concert Halls, Applied Acoustics, 37, 233-247.
  • 12. Gade A.C. (1989a), Investigations of musician's room acoustic conditions in concert halls. Part I. Methods and laboratory experiments, Acustica, 69, 193-203.
  • 13. Gade A.C. (1989b), Investigations of musician's room acoustic conditions in concert hall. Part II. Field experiments and synthesis of results, Acustica, 69, 249-262.
  • 14. Gade A.C. (2007), Acoustics in halls for speech and music. Chapter 9, [in:] Handbook on Acoustics, J. Rossing [Ed.], Springer.
  • 15. Gimenez A., Sendra J. J., Vela A., Daumal F., Cibrian R., Zamarreńo T., Arana M., Romero J., Giron S., San Martin M. L., Cerda S., Galindo M., Aramendia E., Lacatis R., Bustamante R., San Martin R., Segura J., Muńoz M. S., Miralles J. L. (2006a), Process of developing a test of subjective response of listeners in general and musical experts, as an assessment tool of music perception in concert halls, auditoriums and theaters [in Spanish], Tecni-Acustica 2006, Gandia, ISBN 84-87985.
  • 16. Gimenez A, Sendra J. J., Vela A., Daumal F., Cibrian R., Zamarreńo T., Arana M., Romero J., Giron S., San Martin M. L., Cerda S., Galindo M., Aramendia E., Lacatis R., Bustamante P., San Martin R., Segura J., Muńoz M. S., Miralles J. L. (2006b), Responses from listeners and music experts to a survey to assess the perception of music in concert halls, auditoriums and theaters [in Spanish], Tecni-Acustica 2006, Gandia, ISBN 84-87985.
  • 17. Gimenez A., Cibrian R.M., Girón S., Zamarreńo T., Sendra J. J., Vela A., Daumal F. (2011), Questionnaire survey to qualify the acoustics of Spanish concert halls, Acta Acustica united with Acustica, 97, 6, November/December, 949-965.
  • 18. Hawkes R. J., Douglas H. (1971), Subjective acoustic experience in concert auditoria, Acustica, 24, 235-250.
  • 19. Hidaka T., Beranek L. (2000), Objective and subjective evaluations of twenty-three opera houses in Europe, Japan, and the Americas, J. Acoust. Soc. Am., 107, 1, January, 368-383.
  • 20. Lokki T., Pätynen J., Kuusinen A., Vertanen H., Tervo S. (2011), Concert hall acoustics assessment with individually elicited attributes, J. Acoust. Soc. Am., 130, 2, 834-849.
  • 21. Martellotta F. (2010), The just noticeable difference of center time and clarity index in large reverberant spaces, J. Acoust. Soc. Am., 128, 2, 654-663.
  • 22. Okano T. (2002), Judgments of noticeable differences in sound fields of concert halls caused by intensity variations in early reflections, J. Acoust. Soc. Am., 111, 1, 217-229.
  • 23. Parkin P.H., Scholes W.E., Derbyshire A.G. (1952), The reverberation times of ten British Concert Halls, Acustica, 2, 97-100.
  • 24. Schroeder M.R., Gottlob D., Siebrasse K.F. (1974), Comparative study of European concert halls: correlation of subjective preference with geometric and acoustic parameters, J. Acoust. Soc. Am., 56, 4, 1195-1201.
  • 25. Sotiropoulou A.G., Hawkes R. J., Fleming D.B. (1995), Concert hall acoustic evaluations by ordinary concert-goers: I, multidimensional description of the evaluatios, Acustica, 81, 1-19.
  • 26. Soulodre G.A., Bradley J. S. (1995), Subjective evaluation of new room acoustic measures, J. Acoust. Soc. Am., 98, 1, 294-301.
  • 27. Yamaguchi K. (1972), Multivariate analysis of subjective and physical measures of hall acoustics, J. Acoust. Soc. Am., 52, 1271-1279.
  • 28. Zahorik P. (2009), Perceptually relevant parameters for virtual listening simulation of small room acoustics, J. Acoust. Soc. Am., 126, 2, 776-791
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-article-BUS8-0023-0010
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