PL EN


Preferencje help
Widoczny [Schowaj] Abstrakt
Liczba wyników
Tytuł artykułu

Armin : Automatic Trance Music Composition using Answer Set Programming

Wybrane pełne teksty z tego czasopisma
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
The Artificial Intelligence (AI) has taken a leading role in many activities which used to be made "by hand"; one of them is the musical composition. Such task now has another alternative implementation, through the support of software that can compose different musical genres to the point where a computer can compose pieces with some autonomy. This paper proposes Armin, a system dedicated to the electronic trance music composition. Armins aim is to provide a trance music composition to serve as a template or a base audio file, ready to add more instruments in a mastering (remastering) production Additionally, it seeks to enable greater collaboration between a machine and a human, both seen as musical composers.
Wydawca
Rocznik
Strony
79--96
Opis fizyczny
Bibliogr. 16 poz.
Twórcy
  • Departamento de Computacion, Electronica y Mecantronica, Universidad de las Americas Puebla, Sta Catarina Martir Cholula, Puebla, Mexico, flavio.everardopz@udlap.mx
Bibliografia
  • [1] Anders, T.: Composing music by composing rules: Design and usage of a generic music constraint system, 2007.
  • [2] Boenn, G.: Anton: Answer Set Programming in the Service of Music, Non-Monotonic Reasoning, Citeseer, 2008.
  • [3] Boenn, G., Brain, M., De Vos, M., ffitch, J.: Automatic Composition of Melodic and Harmonic Music by Answer Set Programming, in: Logic Programming (M. Garcia de la Banda, E. Pontelli, Eds.), vol. 5366 of Lecture Notes in Computer Science, Springer Berlin / Heidelberg, ISBN 978-3-540-89981-5, 160-174.
  • [4] Boenn, G., Brain, M., Vos, M., Ffitch, J.: ANTON: Composing Logic and Logic Composing, Proceedings of the 10th International Conference on Logic Programming and Nonmonotonic Reasoning, LPNMR '09, Springer-Verlag, Berlin, Heidelberg, 2009, ISBN 978-3-642-04237-9.
  • [5] Boulanger, R.: The Csound book: perspectives in software synthesis, sound design, signal processing, and programming, vol. 1, The MIT Press, 2000.
  • [6] Bulancea, G.: Mathematical models for analysing diatonic modes, Proceedings of the 11th WSEAS international conference on Acoustics & music: theory & applications, AMTA'10,World Scientific and Engineering Academy and Society (WSEAS), Stevens Point, Wisconsin, USA, 2010, ISBN 978-960-474-192-2.
  • [7] Dahlstedt, P.: Autonomous evolution of complete piano pieces and performances, Proceedings of Music AL Workshop, Citeseer, 2007.
  • [8] Denecker,M., Vennekens, J., Bond, S., Gebser,M., Truszczyński,M.: The Second Answer Set Programming Competition, Proceedings of the 10th International Conference on Logic Programming and Nonmonotonic Reasoning, LPNMR '09, Springer-Verlag, Berlin, Heidelberg, 2009, ISBN 978-3-642-04237-9.
  • [9] Gebser, M., Kaufmann, B., Kaminski, R., Ostrowski, M., Schaub, T., Schneider,M.: Potassco: The Potsdam Answer Set Solving Collection, AI Commun., 24, April 2011, 107-124, ISSN 0921-7126.
  • [10] Gebser,M., Kaufmann, B., Neumann, A., Schaub, T.: Conflict-driven answer set solving, Proceedings of the 20th international joint conference on Artifical intelligence, 2007.
  • [11] Gebser, M., Schaub, T., Thiele, S.: Gringo: A new grounder for answer set programming, Logic Programming and Nonmonotonic Reasoning, 2007, 266-271.
  • [12] Kirke, A., Miranda, E. R.: A survey of computer systems for expressive music performance, ACM Comput. Surv., 42, December 2009, 3:1-3:41, ISSN 0360-0300.
  • [13] Lifschitz, V.: What is answer set programming, Proc. of AAAI, 2008.
  • [14] Martináková-Rendeková,Z.: Searching for universal laws and rules inmusic, Proceedings of the 12thWSEAS international conference on Mathematics and computers in biology, business and acoustics, MCBANTA'11, World Scientific and Engineering Academy and Society (WSEAS), Stevens Point, Wisconsin, USA, 2011, ISBN 978-960-474-293-6.
  • [15] Pearce, M., Meredith, D., Wiggins, G.: Motivations and methodologies for automation of the compositional process, Musicae Scientiae, 6(2), 2002, 119-148.
  • [16] Senaratna, N.: Automatic Music Composition Using a Tree of Interacting Emergent Systems, 2006.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-article-BUS8-0022-0068
JavaScript jest wyłączony w Twojej przeglądarce internetowej. Włącz go, a następnie odśwież stronę, aby móc w pełni z niej korzystać.