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Providing Surround Sound with Loudspeakers: A Synopsis of Current Methods

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Języki publikacji
EN
Abstrakty
EN
Available methods for room-related sound presentation are introduced and evaluated. A focus is put on the synthesis side rather than on complete transmission systems. Different methods are compared using common, though quite general criteria. The methods selected for comparison are: INTENSITY STEREOPHONY after Blumlein, vector-base amplitude panning (VBAP), 5.1-SURROUND and its discrete-channel derivatives, synthesis with spherical harmonics (AMBISONICS, HOA), synthesis based on the boundary method, namely, wave-field synthesis (WFS), and binaural-cue selection methods (e.g., DIRAC). While VBAP, 5.1-SURROUND and other discrete-channel-based methods show a number of practical advantages, they do, in the end, not aim at authentic sound-field reproduction. The so-called holophonic methods that do so, particularly, HOA and WFS, have specific advantages and disadvantages which will be discussed. Yet, both methods are under continuous development, and a decision in favor of one of them should be taken from a strictly application-oriented point of view by considering relevant application-specific advantages and disadvantages in detail.
Rocznik
Strony
5--18
Opis fizyczny
Bibliogr. 39 poz., tab., wykr.
Twórcy
autor
Bibliografia
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  • 19. Lopez J.J., Cobos M., Pueo B. (2010), Elevation in wave-field synthesis using HRTF cues, Acta Acustica united with Acustica, 96, 340-350.
  • 20. Menzel D., Wittek H., Theile G., Fastl H. (2005), The BINAURAL SKY: A Virtual Headphone for binaural room synthesis, Tonmeistersymposium. D-Hohenkammer.
  • 21. Merimaa J. (2006), Analysis, synthesis and perception of spatial sound - binaural localization modeling and multi-channel loudspeaker reproduction, Doct. diss., Aalto Univ., FI-Helsinki.
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  • 23. Meyer E., Thiele R. (1956), Room-acoustical investigations in numerous concert halls and radio studios by means of novel measuring techniques [in German: Raumakustische Untersuchungen in zahlreichen Konzertsälen und Rundfunkstudios unter Anwendung neuerer Messverfahren], Acustica, 6, 425-444.
  • 24. Meyer J., Elko G. (2010), Analysis of the high-frequency extension for spherical eigenbeamforming microphone arrays, J. Acoust. Soc. Am., 127, 1979.
  • 25. Moreau S., Daniel J., Bertet S. (2006), 3-D sound field recording with Higher-Order Ambisonics - objective measurements and validation of spherical microphones, 120th AES Conv., Audio-Engr. Soc, New York NY.
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  • 28. Pulkki V. (2006), Directional audio coding in spatial sound reproduction and stereo upmixing, 28th AES Int. Conf., Audio-Engr. Soc., New York NY.
  • 29. Pulkki V. (2001), Spatial sound generation and perception by amplitude-panning techniques, Doct. diss., Aalto Univ., FI-Helsinki.
  • 30. Rabenstein R., Blauert J. (2010), Sound-field synthesis with loudspeakers, part II - signal processing, [in German: Schallfeldsynthese mit Lautsprechern II - Signalverarbeitung], ITG-Fachtg. Sprachkommunikation, D-Bochum.
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  • 33. Spors S., Rabenstein R., Ahrens J. (2008), The theory of Wave-field Synthesis revisited, 124th AES Conv., Audio-Engr. Soc., New York NY.
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  • 36. Theile G. (2005), Spatial-audio presentation by means of wave-field synthesis [in German: Räumliche Tondarstellung mit Wellenfeldsynthese], VDT-Magazin 2.
  • 37. Van Daele B., Van Baelen W. (2011), Auro-3D:the advantage of channel-based sound in 3D, Proc. Int. Conf. Spatial Audio, ICSA, D-Detmold.
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  • 39. Woszczyk W. (2011), Active acoustics in concert halls - a new approach, Archives of Acoustics, 36, 2, 379-393.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-article-BUS8-0021-0068
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