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Hearing Ability in Orchestral Musicians

Treść / Zawartość
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Pure-tone audiometry (PTA) and transient-evoked otoacoustic emissions (TEOAEs) were determined in 57 classical orchestral musicians along with a questionnaire inquiry using a modified Amsterdam Inventory for Auditory Disability and Handicap ((m)AIADH). Data on musicians’ working experience and sound pressure levels produced by various groups of instruments were also collected. Measured hearing threshold levels (HTLs) were compared with the theoretical predictions calculated according to ISO 1999:1990. High frequency notched audiograms typical for noise-induced hearing loss were found in 28% of the subjects. PTA and TEOAE consistently showed a tendency toward better hearing in females vs. males, younger vs. older subjects, and lower- vs. higher-exposed to orchestral noise subjects. Audiometric HTLs were better than theoretical predictions in the frequency range of 2000–4000 Hz. The (m)AIADH scores indicated some hearing difficulties in relation to intelligibility in noisy environment in 26% of the players. Our results indicated a need to implement a hearing conservation program for this professional group.
Rocznik
Strony
579--594
Opis fizyczny
Bibliogr. 22 poz., tab., wykr.
Twórcy
autor
  • Nofer Institute of Occupational Medicine Department of Physical Hazards Sw. Teresy 8, 91-348 Łódz, Poland, mpawlusz@imp.lodz.pl
Bibliografia
  • 1. Axelsson A., Lindgren F. (1981), Hearing in classical musicians, Acta Otolaryngology Supplement, 377, 3-74.
  • 2. Emmerich E., Rudel L., Richter F. (2008), Is the audiologic status of professional musicians a reflection of the noise exposure in classical orchestral music?, European Archives of Oto-Rhino-Laryngology, 265, 7, 753-758.
  • 3. ISO, International Standard ISO 1999: Acoustics - Determination of occupational noise exposure and estimation of noise-induced hearing impairment, Geneva, 1990.
  • 4. ISO, International Standard ISO 9612: Acoustics - Guidelines for the measurement and assessment of exposure to noise in the working environment, Geneva, 1997.
  • 5. ISO, International Standard ISO 9612: Acoustics - Determination of occupational noise exposure - Engineering method, Geneva, 2009.
  • 6. Jansen E.J., Helleman H.W., Dreschler W.A., de Laat J.A. (2009), Noise induced hearing loss and other hearing complaints among musicians of symphony orchestras, Int. Arch. Occup. Environ. Health, 82, 2, 153-164.
  • 7. Jansson E., Karlsson K. (1983), Sound levels recorded within symphony orchestra and risk criteria for hearing loss, Scandinavian Audiology, 12, 3, 215-221.
  • 8. Karlsson K., Lundquist P.G., Olaussen T. (1983), The hearing of symphony orchestra musicians, Scandinavian Audiology, 12, 4, 257-264.
  • 9. Kähäri K.R., Axelsson A., Hellström P.A., Zachau G. (2001), Hearing development in classical orchestral musicians. A follow-up study, Scandinavian Audiology, 30, 3, 141-149.
  • 10. Koskinen H. (2010), Hearing loss among classical-orchestra musicians. Report no.17, Aalto University School of Science and Technology, Department of Signal Processing and Acoustics. Espoo, Finland (ISBN 978-952-60-3084-5, ISSN 1797-4267).
  • 11. Laitinen H., Toppila E., Olkinuora P., Kuisma K. (2003), Sound exposure among the Finnish National Opera personnel, Applied Occupational and Environmental Hygiene, 18, 3, 177-182.
  • 12. Meijer A.G.W., Wit H.P., Albers F.W.J. (2004), Relation between change of hearing and (modified) Amsterdam Inventory for Auditory Disability and Handicap Score, Clinical Otolaryngology, 29, 565-570.
  • 13. Meijer A.G.W., Wit H.P., Albers F.W.J. (2006), Evaluation of the relation between audiometric and psychometric measures of hearing after tympanoplasty, European Archives of Oto-Rhino-Laryngology, 263, 256-262.
  • 14. Meijer A.G.W., Wit H.P., TenVergert E.M. (2003), Reliability and validity of the modified Amsterdam Inventory for Auditory Disability and Handicap, International Journal of Audiology, 42, 4, 220-226.
  • 15. "noise immission level", McGraw-Hill Dictionary of Scientific and Technical Terms. McGraw-Hill Companies, Inc., 2003. Answers.com 10 Feb. 2010. Retrieved February 10, 2010 from http://www.answers.com/topic/noise-immission-level.
  • 16. Obeling L., Poulsen T. (1999), Hearing ability in Danish symphony orchestra musicians, Noise & Health, 1, 2, 43-49.
  • 17. O'Brien I., Bradley A. (2008), Nature of orchestral noise, Journal of Acoustical Society of America, 124, 2, 926-939.
  • 18. PKN, Polish Standard PN-N-01307: Noise. Permissible values of noise in the workplace. Requirements relating to measurements, Warszawa, 1994 [in Polish].
  • 19. Royster J.D., Royster L.H., Killion M.C. (1991), Sound exposures and hearing thresholds of symphony orchestra musicians, Journal of Acoustical Society of America, 89, 6, 2793-2803.
  • 20. Teie P.U. (1998), Noise-induced hearing loss and symphony orchestra musicians: risk factors, effects, and management, Md. Med. J., 47, 1, 13-18.
  • 21. WHO Grades of hearing impairment. Retrieved May 3, 2010 from http://www.who.int/pbd/deafness/en/.
  • 22. Zhao F., Manchaiah V.K., French D., Price S.M. (2010), Music exposure and hearing disorders: an overview, International Journal of Audiology, 49, 1, 54-64
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-article-BUS8-0019-0078
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