A versatile model for music creation utilizing tension states

• Autorzy: Ruuska H. , Takebayashi Y.
• Konferencja: 8th International Conference on Global Research and Education – Inter-Academia 2009
• Języki publikacji: EN

Abstrakty

EN

We investigates novel methods for creating systems for assisting musical composing. In this presentation we describe some previously neglected problem areas in musical structure analysis: knowledge-based computational expectation mapping and narrative-based structure. We also investigate how results from musical pattern analysis might be used for predicting human cognitive processing of general commonsense domains in everyday life. We conclude with a statement of how investigating music can lead to insights in other fields of cognitive science.

Słowa kluczowe

EN

musical composition; music analysis; cognitive science; computer-generated music

• Wydawca: Łukasiewicz Industrial Research Institute for Automation and Measurements PIAP
• Czasopismo: Journal of Automation Mobile Robotics and Intelligent Systems
• Rocznik: 2009
• Tom: Vol. 3, No. 4
• Strony: 184--186
• Opis fizyczny: Bibliogr. 7 poz., rys.

Twórcy

autor

Ruuska H.

autor

Takebayashi Y.

• Graduate School of Informatics, Shizuoka University, Hamamatsu 432-8011, Japan,

Bibliografia

• [1] Schwanauer, Stephan M., Levitt, David A.,Machine models of music , MIT Press, 1993.
• [2] Minsky, Marvin, The Emotion Machine, Simon & Schuster, 2005.
• [3] Lerdahl, Fred, Jackendoff, Ray S. , A Generative Theory of Tonal Music, MIT Press, 1982.
• [4] Lerdahl, Fred, Tonal Pitch Space, Oxford University Press, 2001.
• [5] Mazzola G., ”Mathematical Music Theory-Status Quo 2000”. In: Perspectives in Mathematical and Computational Music Theory. EpOs Osnabruck, 2004.
• [6] Hirata, Keiji, Aoyagi, Tatsuya, “Computational Music Representation Based on the Generative Theory of Tonal Music and the Deductive Object-Oriented Database”, Computer Music Journal. MIT Press, 2003.
• [7] Malm, William P., Traditional Japanese Music and Musical Instruments, Kodansha International, 2000.