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The issue of creating good methods of pattern recognition for discrete music data (e.g. notes) is still very important. The proposed formalism should provide convenient mechanisms for problem definition and solutions. As far as possible it should be based on a well known formal theory, easy to understand and implement. This paper deals with a hybrid, discriminant-syntactic approach to problem of music pattern recognition.
Słowa kluczowe
Czasopismo
Rocznik
Tom
Strony
21--40
Opis fizyczny
Bibliogr. 10 poz., rys.
Twórcy
autor
- Faculty of Electrical Engineering, Automatics, Computer Science and Elecytronics, University ogf Mining and Metallurgy, kkulak@agh.edu.pl
Bibliografia
- [1] Cakewalk Professional for Windows - User’s Guide, Twelve Tone Systems Inc., 1993.
- [2] Schaffrath H. and Jesser B.; Erfassungsregeln zur Melodiedatenbank, Handbuch, Universität Essen, 1989.
- [3] Fu King, Sun; Syntactic Pattem Recognition and Application, Prentice-Hall, 1982.
- [4] Kułakowski K.; Music grammars, Master’s thesis, The Jagiellonian University, 1999.
- [5] Flasiński M.; Syntaktyczne metody rozpoznawania obrazów, Uniwersytet Jagielloński, 1990.
- [6] Balaban M.; Music structures: A temporal-hierarchical representation for music, Musikometrika, 2:1-42, 1990.
- [7] Tadeusiewicz R.; Rozpoznawanie Obrazów - zarys teorii, Uniwersytet Jagielloński, 1985.
- [9] FranzkeU.; Y.E.S. Your Electronic Songbook Manual, Ulrich Franzke/Bochum Universität GH Essen.
- [10] Franzke U.; Die essener software, Musikometrika, 4, 1992.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-article-BUJ1-0016-0035