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The origins of ichnology are located in a land of convergence between Art and Science, in a historical period - the Renaissance - during which the scientific method had its birth. Trace fossils were studied and graphically represented by preeminent naturalists such as Leonardo da Vinci, Konrad Gesner, Johann Bauhin and UlisseAldrovandi - who defined ichnofossils as "exceptionally beautiful". In this study, the representation of trace fossils in the Renaissance is explored by employing a method widely used in studying visual perception - fractal geometry. In particular, this paper focuses on the reasons for the aesthetic appeal of traces and proves that (1) the aesthetic perception of traces is closely tied to their fractal dimension, and (2) many traces are aesthetically appealing because they have fractal behaviour. In particular, graphoglyptids and chondritids display significant fractal-like features that are linked with their constructional program and function. Such fractal traces are hierarchically structured and their whole geometric structure can be regarded as an expression of self-organization processes producing correlations between different orders of scale.
Czasopismo
Rocznik
Tom
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3--17
Opis fizyczny
Bibliogr. 56 poz.,Fot., rys., tab., wykr.
Twórcy
autor
- Geopark Naturtejo Meseta Meridional, Geology and Paleontology Office, Centro Cultural Raiano. Av. Joaquim Morao 6060-101 Idanha-a-Nova, Portugal ; Universita degli Studi di Milano, Dipartimento di Scienze della Terra - Via Mangiagalli, 34 20133 Milano, I, andrea@tracemaker.com
Bibliografia
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- Baucon, A. 2009a. Geology in Art. An Unorthodox Path from Visual Arts to Music, pp. 1–120. blurb/tracemaker.com; Milan.
- Baucon, A. 2009b. Ulisse Aldrovandi: the study of trace fossils during the Renaissance. Ichnos 16 (4), 245–256.
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- Uchman, A. 1995. Taxonomy and palaeoecology of flysch trace fossils: The Marnoso-arenacea Formation and associated facies (Miocene, northern Apennines, Italy). Beringeria, 15, 3–115.
- Vai, G.B. 1995. Geological priorities in Leonardo da Vinci’s notebooks and paintings. In: Giglia, G., Maccagni, C. and Morello, N. (Eds), Rocks, Fossils and History, pp. 13–26. Inhigeo, Festina Lente; Firenze.
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Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-article-BGPK-2714-0255