www.architektura: wolność, wyobraźnia, warsztat

• Autorzy: Kuryłowicz E.

Warianty tytułu

EN

Architecture: freedom, imagination, skills

• Konferencja: Międzynarodowa Konferencja Naukowa Instytutu Projektowania Architektonicznego (5 ; 2005 ; Kraków)
• Języki publikacji: PL

Abstrakty

EN

There are two kinds of architecture: the real one and the fake one. The real architecture as opposed to the fake one has to be created in freedom. This freedom does not mean the lack of utilitarian requirements but, like in the case of other fine arts, the freedom of non - existing at all. If it is created in freedom it will involve users imagination. As Wim Wenders says: "Look at books. A novel. A poem. You' re reading. How do You read? What is it that makes the story Yours, so You can enter it? It' s not just what is written there. It's what's not written. (...) That' s where your imagination enters (...)" (Wenders,2002). It it involves user's imagination then it can be memorized. It will not be: "consumed, digested and forgotten"; It it leaves the space for everyone's imagination then it can not be perfect. "Perfection, even when achievable, brings death" (Steiner, 2004). As our poet Zbigniew Herbert once said: "One should enter rock, wood, water, the cracks of the gate.Better to be the creaking of the floor than shrilly transparent perfection". (transl. Cz. Miłosz). The architectural skill can be measured by the extent to which the architect can enter the used material and exercise his fluency. But to the real creator every finished building is a witness of the failure, because the real, turned-in building is always nothing compared to the richness of the problem which appeared at the beginning. That's why we struggle.

Słowa kluczowe

PL

architektura; definicja architektury; przestrzeń architektoniczna

EN

architectural space; architecture; definition of architecture

• Wydawca: Wydawnictwo Politechniki Krakowskiej im. Tadeusza Kościuszki
• Czasopismo: Czasopismo Techniczne. Architektura
• Rocznik: 2005
• Tom: R. 102, z. 11-A
• Strony: 72--76
• Opis fizyczny: Bibliogr. 7 poz., il.

Twórcy

autor

Kuryłowicz E.

• Politechnika Warszawska, Zakład Podstaw Kształtowania Architektury

Bibliografia

• [1] P. Shepheard, What is Architecture. An Essayon Landscape, Buildings and Machines, Cambridge, Massachusets. London, England, 1995.
• [2] G. Steiner, Gramatyki tworzenia, tłum. J. Łoziński, Poznań 2004.
• [3] R. Scruton, The Aesthetics of Architecture, Princeton Essays on Art, Princeton New Jersey 1980, II wydanie, rozdział 1.
• [4] J. Armstrong, The secret power of beauty-why happiness is in the eye of the beholder, London 2004.
• [5] W. Wenders, Butterflies, [w:] M. Bauer, F. Pesch, Concept Never Ends, Los Angeles, Berlin, Stuttgart, 2002.
• [6] Z. Herbert, Studium Przedmiotu, Wrocław 1995.
• [7] A. Sarnitz Adolf Loos 1870-1933 Architect, Cultural Critic, Dandy, Taschen 2003.